REVIEWS FROM MY VINYL COLLECTION

Month: August 2021 (Page 2 of 13)

FRANK MARINO & MAHOGANY RUSH – Real Live Vol. 1

Frank’s career can be split into eras. His first was the very psychedelic trippy phase. Then he moved into the loud and brash guitar hero phase, and then finally, we came to an almost mix of the two with huge nods to the blues. This album was recorded in his latter phase, in his home town of Montreal in 2001. Don’t get me wrong, it’s chock full of the most killer guitar playing you will ever hear. This record (and Part 2) were part of RSD as limited editions.

To make the tracks fit onto two records, He’s Calling and Poppy have been split into two parts and put on two differing sides. You may also not be familiar with the versions that you hear on this record. For example, Like Voodoo Chile is way slower here and has a heavy blues groove – but jeez does Frank let it go here. Incredible playing! Plus you get an excerpt from Something’s Coming Our Way from What’s Next. His love of Hendrix is here for all to see. As well as Voodoo Chile, you get ripping versions of Red House and Crossroads.

Frank is definitely one of Rock’s greatest and most overlooked guitar players. I’m not too sure we will get to see him play live again as he has a debilitating disease that stops him playing. Other than these two RSD releases, Frank released a six hour DVD last year of a show recorded in Cleveland. I urge any of you who love guitar music to track it down. It’s a final fitting performance of one of Rock’s great guitarists.

10/10 from The Grooveman.

JOE BONAMASSA – You & Me

This album was the beginning of a change in fortunes for Mr. B. Before this record, he was well known within blues circles, but he was finding it hard to break through. He had recorded 4 albums before this that had been well received, but he seemed to be treading water. So for this record, grade A producer, Kevin Shirley, was brought in to give him a much needed shot in the arm. You have to say it worked rather well, as 15 years later they are still working together.

The album is a near enough 50/50 split with originals and covers, and as usual, Joe plays his ass off – only this time, due to a killer production, each song hits the spot. I know a lot of people don’t like Shirley’s style of production and the sound he gets, but you have to agree it’s a marriage made in heaven for Joe.

The emphasis on this record was to make a true blues album, and not a rock album with a hint of blues. Originals like Bridge To Better Days which is a fantastic song, and a traditional cover like Your Funeral And My Trial, just work so well here. It’s so easy to do blues covers and just play them without giving them the respect they deserve, and I think Joe does a great job here of mixing the two perfectly. If I’m pushed for a favourite I would go for Django, as Joe’s playing is so good and so emotive. Bonamassa doesn’t make bad records, and the attention to detail is second to none.

9/10 from The Grooveman.

MOTHER’S FINEST – s/t

It’s safe to say that there was no band quite like Mother’s Finest at the time. Hailing from Atlanta, Georgia, they blend funk and soul with a heavy rock groove and guitars. Oddly enough they have had two self titled albums, this one that was released in ’76 on Epic, and one in ’72 on RCA, which after released, the band were dropped.

Led by the amazing voice of Joyce Kennedy, this band and this album grooves hard. I have loved it since the first day I heard it eons ago. Opening track, Fire, is all of their influences rolled into one track. It’s one big groovy monster of a tune, and the vibe carries over into the follow up track, Give You All The Love. It has a killer solo to add to the funk rock groove, and it just keeps going in true southern style. Epic tune! Niggizz Can’t Sing Rock And Roll is the last track on Side 1, and this is the perfect melding of soul and rock – the middle eight just grooves on.

Side 2 and a Montrose style riff announces the arrival of My Baby. The honky tonk piano, and Joyce’s killer vocal just scream Muscle Shoals. Fly With Me is Sly Stone on steroids – the soul is deep in this one. Don’t cha Wanna Love Me is all over the map (and even visits Broadway) before settling into a more conventional groove. Rain closes out the album and is as rock as this album gets. Still an enjoyable listen.

8/10 from The Grooveman.

LAMB OF GOD – As The Palaces Burn

If there is one band that took the Pantera blueprint and ran with it, then it’s Lamb Of God. I’m not sure how this happened, but this is the only LOG album I have on vinyl. It was part of this years’ RSD releases, and was released as it celebrates its 21st birthday this year.

This is undoubtedly one of modern metal’s masterpieces. Not only is it crushingly heavy, but it grooves hard and there are riffs a plenty. If you are slightly put off by the growly vocals, then so be it, but you are are missing one hell of a metal album. Side 1 alone is just relentless as each track blends into the next. The double guitar attack of Mark Morton and Willie Adler is just epic, with chugga riff after chugga riff relentlessly pounding away at your brain. Drummer Chris Adler is not of this earth, as the speed at which he plays is insane. Produced by the genius that is Devin Townsend, he has managed to capture the sheer brutality of the band without losing any clarity, even at high volume.

I love all of this record but if I’m pushed for favourites I would go for For Your Malice, and the intensity of Blood Junkie. As I mentioned earlier, this is a classic and deservedly gets 10/10 from The Grooveman.

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