REVIEWS FROM MY VINYL COLLECTION

Day: August 27, 2021

MOTHER’S FINEST – s/t

It’s safe to say that there was no band quite like Mother’s Finest at the time. Hailing from Atlanta, Georgia, they blend funk and soul with a heavy rock groove and guitars. Oddly enough they have had two self titled albums, this one that was released in ’76 on Epic, and one in ’72 on RCA, which after released, the band were dropped.

Led by the amazing voice of Joyce Kennedy, this band and this album grooves hard. I have loved it since the first day I heard it eons ago. Opening track, Fire, is all of their influences rolled into one track. It’s one big groovy monster of a tune, and the vibe carries over into the follow up track, Give You All The Love. It has a killer solo to add to the funk rock groove, and it just keeps going in true southern style. Epic tune! Niggizz Can’t Sing Rock And Roll is the last track on Side 1, and this is the perfect melding of soul and rock – the middle eight just grooves on.

Side 2 and a Montrose style riff announces the arrival of My Baby. The honky tonk piano, and Joyce’s killer vocal just scream Muscle Shoals. Fly With Me is Sly Stone on steroids – the soul is deep in this one. Don’t cha Wanna Love Me is all over the map (and even visits Broadway) before settling into a more conventional groove. Rain closes out the album and is as rock as this album gets. Still an enjoyable listen.

8/10 from The Grooveman.

LAMB OF GOD – As The Palaces Burn

If there is one band that took the Pantera blueprint and ran with it, then it’s Lamb Of God. I’m not sure how this happened, but this is the only LOG album I have on vinyl. It was part of this years’ RSD releases, and was released as it celebrates its 21st birthday this year.

This is undoubtedly one of modern metal’s masterpieces. Not only is it crushingly heavy, but it grooves hard and there are riffs a plenty. If you are slightly put off by the growly vocals, then so be it, but you are are missing one hell of a metal album. Side 1 alone is just relentless as each track blends into the next. The double guitar attack of Mark Morton and Willie Adler is just epic, with chugga riff after chugga riff relentlessly pounding away at your brain. Drummer Chris Adler is not of this earth, as the speed at which he plays is insane. Produced by the genius that is Devin Townsend, he has managed to capture the sheer brutality of the band without losing any clarity, even at high volume.

I love all of this record but if I’m pushed for favourites I would go for For Your Malice, and the intensity of Blood Junkie. As I mentioned earlier, this is a classic and deservedly gets 10/10 from The Grooveman.