REVIEWS FROM MY VINYL COLLECTION

Day: August 6, 2021

VANDEN PLAS – The God Thing

This is one of my favourite releases from the last 25 years, and it’s nice to see it get a release on vinyl, having originally only being available on CD. However, they have now swapped labels from Inside Out to Frontiers. Try to think of Judas Priest mixed with Images and Words era Dream Theater, and you would be close. The production on this record is exceptional, and it always amazes me how full and huge the instruments sound. The guitar sound is bigger than the biggest thing you can think of, and the drums sound so full and massive. They certainly know how to make a record.

The opening salvo of instrumental piece Fire Blossom that leads into Rainmaker is a freakin’ awesome opening to a record – it really sets the scene for the rest of the album. Every song sounds epic and grandiose, and vocalist Andy Kuntz sings for his life on every track. The ending of Day I Die is so huge and monster sounding that it will send goosebumps down your body. They definitely have a sense of the dramatic, and it can be heard in the opening to Garden Of Stones. It has a slow almost operatic build up, with a beautiful guitar lead in to the fat monster riff of the main song – it is really well put together. This is the format for the whole album, and the quality of each piece is off the charts.

If I’m pushed for a favourite track (and believe me, it’s so hard as they are all awesome) I would go for We’re Not God. The guitar tone alone is just unreal, coupled with the melody and the composition of the tune – its incredible. The band are huge in their native Germany, and I am at a loss why world domination has a eluded them.

This is 10/10 all day every day from The Grooveman.

H.S.A.S – Through The Fire

The only album ever recorded by this supergroup of the time. It’s always listed as a studio release, but the only thing that was studio was all the guitar overdubs. If you listen closely, you can still hear the crowd in certain songs that they couldn’t remove. This was recorded when Steve Perry was having voice problems, Schon was obviously bored and needed an outlet, and Sam The Sham would do anything to lift his profile at the time.

A very weird choice for the single with a Whiter Shade Of Pale, I get that it’s a cover and everyone has heard of it, but surely Missing You and Top Of The Rock would have been better choices as these are great tunes. Schon, as usual, plays his ass off and is obviously enjoying stepping out of his day job. Some of his playing is on a different level here, especially on Animation where he really lets loose, and on album closer, My Home Town, where it’s definitely welcome to the Neal Schon show! To be honest, he really rips throughout the album. Awesome stuff!

This is one of the few albums I can actually tolerate Hagar, and Valley Of The Kings is a definite highlight of the album. Everything is held together by a killer rhythm section of Michael Shrieve on the pots and pans, and Kenny Aaronson on bass. As a one off project, it’s pretty killer and it gets 9/10 from The Grooveman for Schon’s brilliance.