REVIEWS FROM MY VINYL COLLECTION

Day: August 28, 2021

FRANK MARINO & MAHOGANY RUSH – Real Live Vol. 1

Frank’s career can be split into eras. His first was the very psychedelic trippy phase. Then he moved into the loud and brash guitar hero phase, and then finally, we came to an almost mix of the two with huge nods to the blues. This album was recorded in his latter phase, in his home town of Montreal in 2001. Don’t get me wrong, it’s chock full of the most killer guitar playing you will ever hear. This record (and Part 2) were part of RSD as limited editions.

To make the tracks fit onto two records, He’s Calling and Poppy have been split into two parts and put on two differing sides. You may also not be familiar with the versions that you hear on this record. For example, Like Voodoo Chile is way slower here and has a heavy blues groove – but jeez does Frank let it go here. Incredible playing! Plus you get an excerpt from Something’s Coming Our Way from What’s Next. His love of Hendrix is here for all to see. As well as Voodoo Chile, you get ripping versions of Red House and Crossroads.

Frank is definitely one of Rock’s greatest and most overlooked guitar players. I’m not too sure we will get to see him play live again as he has a debilitating disease that stops him playing. Other than these two RSD releases, Frank released a six hour DVD last year of a show recorded in Cleveland. I urge any of you who love guitar music to track it down. It’s a final fitting performance of one of Rock’s great guitarists.

10/10 from The Grooveman.

JOE BONAMASSA – You & Me

This album was the beginning of a change in fortunes for Mr. B. Before this record, he was well known within blues circles, but he was finding it hard to break through. He had recorded 4 albums before this that had been well received, but he seemed to be treading water. So for this record, grade A producer, Kevin Shirley, was brought in to give him a much needed shot in the arm. You have to say it worked rather well, as 15 years later they are still working together.

The album is a near enough 50/50 split with originals and covers, and as usual, Joe plays his ass off – only this time, due to a killer production, each song hits the spot. I know a lot of people don’t like Shirley’s style of production and the sound he gets, but you have to agree it’s a marriage made in heaven for Joe.

The emphasis on this record was to make a true blues album, and not a rock album with a hint of blues. Originals like Bridge To Better Days which is a fantastic song, and a traditional cover like Your Funeral And My Trial, just work so well here. It’s so easy to do blues covers and just play them without giving them the respect they deserve, and I think Joe does a great job here of mixing the two perfectly. If I’m pushed for a favourite I would go for Django, as Joe’s playing is so good and so emotive. Bonamassa doesn’t make bad records, and the attention to detail is second to none.

9/10 from The Grooveman.