REVIEWS FROM MY VINYL COLLECTION

Day: August 21, 2021

QUIET RIOT – Metal Health

I was amazed to find out that the band were formed back in ’73 by Randy Rhoads, along with Kevin Dubrow and some lunatic called Kelly Garni (who threatened to kill Dubrow). Metal Health was the third release by the band, and was recorded after the departure of Randy to Ozzy’s band. His replacement, Carlos Cavazo, was in place to record this record, and a great addition to the band he was.

The person who decided to record Slade’s Cum On Feel The Noize, was an absolute genius, as this was the perfect song to highlight Dubrow’s voice – and it’s the ultimate party anthem. Of course it was a huge hit, and the band entered the big leagues because of it. They didn’t have to rely on covers, as the original songs on the album hold up well. Slick Black Cadillac was another hit party anthem as they had the whole sing-a-long chorus thing down to a fine art. There is one duff song on the album though, and that’s Don’t Wanna Let You Go. It’s an average attempt at a ballad which is not that good.

In my opinion Side 2 is the better of the two sides, and opens with the gallop that is Breathless. It’s a decent song with a strong hook and melody, and some tasty playing from Cavazo. Next track, Run For Cover, is the best track on the album and rocks hard. It has plenty of guitar from Cavazo, and some nice double kicks from Frankie Banali. This leads into the Carlos Cavazo showcase that is Battle Axe. Back to party city with Let’s Get Crazy, and this type of song is what they do best, big riffs, big stomping drums, sing-a-long chorus, and an incendiary guitar solo. The last song is Dubrow’s tribute to Randy Rhoads’ Thunderbird.

After this album there was Condition Critical, which was ok, and then it was slowly on the downhill trajectory after that. I still find this a fun record to listen to. Is it going to change the world? Err nope. But is it going to put a smile on your face remembering the fun times? Absolutely!!!

8.5/10 from The Grooveman.

YES – 90125

This is the 11th album from perennial British proggers, Yes, but it was a great departure in sound for the band. The music on this album was a lot more radio friendly and commercial. The band had split up in ’81 after the tour cycle for the Drama album. After the break up, Chris Squire and Alan White had formed a band called Cinema, and were joined by original Yes keyboard player, Tony Kaye, and guitarist, Trevor Rabin. Much of this material was taken from demos that Rabin had ready. Jon Anderson was asked to rejoin at the mixing stage, and he recorded all of the lead vocals. The result was this masterpiece that basically saved the band and rescued their career.

The new approach was very American sounding and was perfect for US radio. The lead off single, Owner Of A Lonely Heart, was such a success that the album took off on the back of it – the rest they say is history. Of course, traditionalists hated the new sound, saying it was not Yes, but the master stroke from Squire was asking Anderson to join. His voice is so associated with Yes, that the older fans were won over.

It Can Happen is one of the tracks that has the old Yes DNA, with the layered vocal and keyboard part, but enhanced with Rabin’s guitar. Changes, the last track on Side 1, has all the Yes hallmarks in the intro with the intricate instrumental parts, but the melodic chord sequence and melody vocal from Rabin are all what’s great about the new version of the band.

Cinema, which would have been the title track for the original project, opens up Side 2. It’s a great instrumental in that old Yes style. Trevor Horn is the producer and his signatures are all over this record, the compressed drum sounds, the keyboard segues, and multi layered vocals. It’s very of it’s time, but still sounds fantastic.

9/10 from The Grooveman.