REVIEWS FROM MY VINYL COLLECTION

Day: August 9, 2021

SHARK ISLAND – Law Of The Order

Originally called The Sharks, the band were formed in ’79 and actually released an album under this name. A name change occurred in ’85 to Shark Island, and they became the house band at Gazzari’s on the strip. The band started to get a huge buzz going as a great live act, and with frontman Richard Black, everyone thought they were going to be the next big thing. It wasn’t until the recording of this album and signing with Epic, that everyone else started to take notice. Unfortunately, due to the changing musical climate, the band would disappear until 2006.

Opening track, Paris Calling, is one of the best things the band did in their short existence. It has a killer riff, chorus, and melody. Next track, Shake For Me, is a classic Friday night anthem to shake those blues away. Somebody’s Falling again has a great riff (courtesy of Spencer Sercombe), and a great melody – these guys sure knew how to write a tune. Bad For Each Other is the usual record company power ballad requirement. Side 1 closes out with Passion To Ashes, which has a great riff and great guitar tone with a sleazy vocal from Black.

Over to Side 2 and opener Spellbound has a stock hair metal riff and groove with a sing-a-long chorus. Get Some Strange follows and starts with a really nice riff and groove, but it’s the main hook, chorus, and the short ripping solo that get all the praise here. Superb song! Why Should I Believe is ballad number two, and I’ve just realized that Richard Black’s vocals remind me of Jim Morrison – just when he sings a certain why. The song redeems itself with a great solo. Ready Or Not is another one of those big hair rock anthems that every band used to knock out back in the day. The album closes out with The Chain, and is a cover of the Fleetwood Mac classic. Still a really enjoyable record.

9/10 from The Grooveman.

PINK FLOYD – Meddle

For me, this is where Pink Floyd became interesting. I didn’t care too much for all the psychedelic nonsense – even though on Obscured By Clouds there were signs to the direction they were going, but it wasn’t until Meddle that the path became clear. It’s also the last album where the whole band contributed, before Herr Waters would wrest control of the band and the arrival of all the tensions in the group.

I love the production on this record as the clarity and separation are amazing. Basically it’s an album of 2 Sides (aren’t they all). Side 1 is all song orientated, and Side 2 is given over to the epic Echoes. It contains the bringing together of instrumental passages that were written by all the band. It’s now become a requirement of every Prog band worth their salt to have one track lasting a full side. If ever you want to test your audio equipment, this is the perfect track to do so as they use the whole of the stereo spectrum.

The opening burst of One Of These Days is one of the greatest opening tracks, with that hypnotic driving Waters’ bass riff that powers the whole song. Fearless is a classic melancholic Floyd melody with the added bonus (if you’re a Liverpool fan) of the Kop at Anfield singing You’ll Never Walk Alone. I think the band did not know where they were headed when they recorded this, as there is also a lounge lizard jazz tune in San Tropez, and the odd blues of Seamus.

It gets 9/10 just for the inclusion of Echoes from The Grooveman.