REVIEWS FROM MY VINYL COLLECTION

Month: May 2021 (Page 5 of 15)

ANTHRAX – Among The Living

Having released two genre defining albums in Fistful Of Metal and Spreading The Disease, it was Among The Living that put them in the big leagues. They are also known as one of the big four. Along with Metallica, Megadeth, and Slayer, they were the pioneers of the thrash movement. Although I’ve often wondered how Slayer are acknowledged in the same breath as they were, in my opinion, terrible. All they did was played fast and had a dark image. Exodus were far more deserving. Anyhoo, I digress.

Anthrax, hailing from the East Coast, had a different take than all of the bands on the West Coast, as they came from a harder background and their sound was edgier. There is not one bad track on this album – it’s rightly held up as a classic of the genre and is full of power, angst, and energy. Anthrax have a groove and a swing to their music that none of the other protagonists of the genre had at the time. Amon The Living, Caught In A Mosh, I Am The Law, and Indians are still played live by the band today – they would probably be lynched if they did not play them. They also have a great sense of humour as Efilnikufesin (N.F.L) shows. The only thing that goes against it (just a tad) is the dead production. I know the band had run ins with the producer Eddie Kramer at the time, but it still is a 10/10 from The Grooveman!

ROBERT JOHNSON – Close Personal Friend

What we have here peeps, is a power pop masterpiece by a guy who you have probably never heard of. Robert Johnson was a big session guy in and around the Memphis scene in the seventies, and he was actually auditioned by the Rolling Stones as a replacement for Mick Taylor. He grew up listening to old RnB and rockabilly records and that comes across here, but with a heavy dose of pop.

This album is just a good fun record that’s full of energy, and really well written self penned songs. Opening track, I’ll Be Waiting, is a power pop masterpiece and shows how good Johnson is as a stand alone guitar player. Wish Upon A Star is another catchy seventies pop song with one of those earworm choruses. All you have here is just a three piece making all the noise and harmonies. It is very old school in its approach, but it works great. Responsibility has the ZZ Top Gimme All Your Loving beat as an intro (before they did it may I add), and is one of my favourites on the album. Wreck My Mind is pure Buddy Holly on speed and would give the Ramones a run for the money. Last track, Tell Me About It Slim, is another contender for best track with its fast played riff and up-tempo groove.

Apparently he released a new album in 2019 called I’m Alive, so he is still out there giving it a shot. For the fun value alone, it gets a 7.5/10 from The Grooveman.

ATLANTA RHYTHM SECTION – Champagne Jam

Formed back in ’71, this is a mid-period release from ’78. Not as famous as other southern rock bands, mainly because they didn’t travel much outside of the US, and they had a softer approach – compared to say the Allman’s and Skynyrd. This album includes the top ten single, Imaginary Lover.

Things start off brightly with the up-tempo Large Time, which shows off the twin guitar attack of Barry Bailey and JR Cobb. I’m Not Gonna Let It Bother Me Tonight is slower in pace and is a decent tune. Then ballad city rolls in with Normal Love, which is super syrupy and meh. Side 1 close out track is the title track – the best track on the album. It has a great southern swagger and groove and is almost a shuffle. A soft rock gem.

Side 2 has the aforementioned single, Imaginary Lover, and it’s very Fleetwood Mac in its execution. Next up is The Ballad Of Lois Malone and is as southern sounding as it gets with that hint of country. The Great Escape and Evileen are what you would call yacht rock and end the album on a bit of a whimper.

Earlier albums had a lot more edge and groove to them. It’s an ok record and not a bad album for sure, but it does sound very dated.

6/10 from The Grooveman.

ALAN HOLDSWORTH – Road Games

Considered by many as the guitarist’s guitarist, Holdsworth is one of the true innovators of the instrument. Acknowledged for his use of advanced musical theory in stretching the possibilities of melody and harmony by using weird and wonderful chord progressions. Eddie Van Halen is name checked in the credits, and I’m sure it’s because of Ed that Ted Templeman is an executive producer.

This basically is an extended EP, and with only has six tracks, it clocks in under 25 minutes. This is one for the muso’s amongst you as there aren’t many real time songs, although, the title track Road Games has a normal song structure with lyrics and everything, and the track Was There (which has the amazing Jack Bruce on vocals) is the best track on the album. There is no doubt that Holdsworth was an incredible player, and his playing here is exceptional. Ably accompanied by the amazing Jeff Berlin on bass, and Chad Wackerman on drums, this album is for jazz fusion aficionados and for the curious.

7.5/10 from The Grooveman.

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