REVIEWS FROM MY VINYL COLLECTION

Day: May 27, 2021

KHRUANGBIN- Con Todo El Munro

I find this band a bit of an anomaly in today’s music scene. On paper there is no way this band should be successful – they play what they want without any outside pressure, and they play mostly instrumentals (other than the occasional chant), plus they play a mix of differing world music styles. They hail from Texas, and this album draws heavily on influences from the Middle East, Spanish, and Latin music. The band comprise of Laura Lee on bass, Mark Speer on guitar, and Donald Johnson Jr. on drums. There are guest musicians, but these three are the band and are unbelievably good muso’s.

Khruangbin play seriously chill music, and for me, it hits the perfect spot when you want to really relax and lose yourself in the grooves and feel as though you are in the Texas dessert. Favourite tracks are Maria Tambien, which – as well as the heavy Latin flavour – also has some funk on the side just to make your chills that little bit groovier, and Evan Finds The Third Room, which again adds the funk to proceedings to give it that little fizz. If you want something a little bit different and away from the norm, then I recommend this highly as its a thoroughly enjoyable record.

9/10 from The Grooveman.

MELIAH RAGE – Kill To Survive

Formed in ’87 and hailing from Boston, this is the band’s first album surprisingly on a major label (Epic) and released the following year in ’88. Obviously inspired by NWOBHM as they do not sound American at all. Their main claim to fame is that Godsmack’s Sully Erna was their drummer on 2002 ‘s Unfinished Business.

Opening track, Beginning Of The End, could have been written 10 years earlier as it has a very strong NWOBHM influence. Second track in, Bates Motel, is a pretty standard metal by numbers track. Third track is the band’s name check track, Meliah Rage, and sees the band moving more into the Bay Area sound – its the best track on the album. Total rifferama! As metal instrumentals go, it’s a good one. Last track on Side 1, Deadly Existence, leans heavily on the early Metallica sound and is a great thrash track.

Flipping over to Side 2 with opener, Enter The Darkness, that speeds in with fat riff city and a killer bass line – it’s back to that NWOBHM vibe. Next up is Impaling Doom and the band are trying to break the world land speed record. This track is fast until the fat chugga riff kicks in, which I presume is to save the drummer from imminent death – and then we’re back to the sprint. Last track, The Pack, changes gears pretty quickly. It has a hint of math metal with some off time chord patterns – it’s a really good song to end on.

I think the band are still around as they last released an album in 2018. A quite enjoyable metal romp.

8/10 from The Grooveman.