REVIEWS FROM MY VINYL COLLECTION

Day: May 16, 2021

STREETWALKERS – Red Card

Having seen them performing tracks from this album on the Old Grey Whistle Test, I went out and bought this album the day after. Formed by ex-Family members Roger Chapman and John Whitney, this is the band’s third album released in ’76. They came around at the wrong time, as just they were gaining a bit of traction, Punk came along and the musical landscape changed nearly overnight. Taking what Family did and expanding the sound with more proggy vibes – they had a sound all of their own. Of course Chapman’s distinctive gravelly tones and vibrato are up front and centre, and the music that supports it is strong and diverse.

Run For Cover is a great opening track and the addition of Bob Tench on guitar really drives the song. Me An Me Horse And Me Rum is a strange but lovable track. Crazy Charade is all about Chapman and is driven by an off funk groove. Daddy Rolling Stone has an underlying old RnB groove, and is reminiscent of Family with Chapman singing his ass off. Side 2 starts with Roll Up, Roll Up and is another funky tune in the Family vein. Between Us follows, and has a barrow boozer vibe to proceedings. Shotgun Messiah has a very southern US vibe – they would get some success in the US with this type of tune. Decadence Code with its funk/reggae groove closes out the album with Chapman wailing all over the track. This type of music is seeing a bit of a revival. Whether Streetwalkers become fashionable again it remains to be seen.

7/10 from The Grooveman.

TYGERS OF PAN TANG – Ritual

NWOBHM pioneers are still plugging away after 40 plus years, albeit with only one original member, which is fully loaded compared to some legacy bands that have zero original members. Somewhat invigorated with the arrival of guitarist Mickey Crystal (who is a first division musician) and the band have released an album that stands proud against anything they have done before.

Opening track, Worlds Apart, shows Mickey’s talents to the fullest – both with the full on riff and killer leads. Destiny has a touch of Ozzy with the main riff, and has a nice chorus. Rescue Me is up next and starts with a slow chugga riff – its a decent tune. Raise Some Hell follows and has that NWOBHM riff that I am sick of hearing. Every band and his dog has used this riff so many times – it should be put out for retirement. The song is saved by a killer solo. Spoils Of War closes out Side 1 and is a nice epic tune and the big production of this side. It sounds nothing like the Tygers if I’m honest, mostly thanks to the epic guitar from Mr. Crystal.

Side 2 opens with the single White Lines which is an ok song with a nice chorus and melody, but (and this is becoming a habit) the song is lifted by the guitar. Words Cut Like Knives is power ballad 101 with a nice vocal from Jac. Damn You is straight from the NWOBHM rule book with a textbook riff. Art Of Noise is next up and is the most modern sounding track on the album with the pounding bass. Close out track, Sail On, has an almost Malmsteen intro and sounds very euro metal – its a great track. Big shout out to the rhythm section of Gav Gray on bass, and Craig Ellis on the pots and pans – who lay down some great grooves. Mickey Crystal sadly left the band after this, saying he was being used just to write songs and that Weir’s involvement was minimal. Shame, as he is a top class musician and he will be missed.

8/10 from The Grooveman.