REVIEWS FROM MY VINYL COLLECTION

Day: May 14, 2021

STEVEN WILSON – Grace For Drowning

I think I have mentioned this before, but SW is one of my favourite artists around today. I feel very lucky that he keeps pushing and challenging himself creatively to come up with fresh ideas and trying not to repeat himself. He calls this phase his Jazz period – there are definitely elements like that within these groves. Although for every jazz reference, there are more nods to King Crimson, whose back catalogue he was remixing for deluxe editions at the time of writing this record.

Tracks like Sectarian and Raider 2 are epic pieces of music that take the listener on a journey of discovery, and at times are very challenging pieces. Then there are really beautiful tunes like Deform To Form A Star and Postcard that are very accessible and are songs your Mum would like. No Part Of Me is one of my favourite SW tracks, as it has a beautiful almost serene beginning and then (in classic SW style) the dissonant heaviness interjects. Awesome track! The very eerie Remainder The Black Dog is a delightfully, dark, menacing tune – and again with the discordant tones towards the end. Killer tune! One of my favourite SW songs is a menacing tune about serial killers called Index. This time it has that dark electronic tone and groove to create the sinister vibe. I never tire of hearing this, and I love the way it’s developed in the live setting. I’ve already mentioned Raider 2, but I would have gladly paid for this track alone. From the solitary low end tones of the piano, to the manic guitar crunch towards the end, I don’t know anyone who could come up with music like this. Stunning! Then right at the very end of the album, following that supreme darkness of Raider 2, is a beautiful little piece called Like Dust I Have Cleared From My Eye. Only SW would do that.

If you like albums that keep on giving…you know the rest.

10,000/10 from The Grooveman.

OPETH – Sorceress

This is Opeth’s 12 studio outing, and the 4th without any death metal vocal. Not a concept album as such, but a more personal album lyrically for Mikael as he got divorced in 2016. This vinyl version of the album has two extra bonus tracks that are not on the CD. If you compare this to say Blackwater Park, which is a masterpiece of its genre, it’s like listening to two different bands. Such has been the shift in musical direction.

I, for one, love the more Prog elements to the music as I find it not as immediate, and it reveals its secrets over a longer period. I still listen to this album and it still sounds fresh and gives more – just like the first time I listened to it. It sounds almost medieval at times as the instrumentation and musicality are all over the map. Tracks like Persephone are more normal Prog metal fair, but tracks like The Wilde Flowers are venturing into folk territory. Parts of this album feel as though they were recorded in the seventies as the Prog rock vibe runs deep. Mikael’s voice is made for this music as his tone and range fit perfectly – as the title track shows. This is one of Opeth’s best tunes; from the opening keys, to the heavy riff and vocal, and the epic middle section. No one makes music quite like Opeth, and they have definitely found their niche.

I’m not sure how much of an inspiration his friend Steven Wilson is, but the beginning of The Seventh Sojourn could have been written by him. Strange Brew is the only track that Mikael has not written by himself – it’s a joint effort between him and guitarist Frederick Akesson. Another strong contender for best album track is A Fleeting Glance, with its choppy riff and heavier groove. Opeth don’t make bad records. They either make good or great records, and this is one of the good ones.

8/10 from The Grooveman.