REVIEWS FROM MY VINYL COLLECTION

Day: May 23, 2021

MONTROSE – s/t

It’s really hard to believe that this album was recorded back in 1973. Produced by Ted Templeman, and engineered by Donn Landee – who would later use this album as the blueprint for Van Halen’s first album. This is the 2017 remastered edition which comes with the bonus disc of live at KSAN radio in ’73, and was recorded before the band had even decided on a name. This was the first time that Sam the Sham had appeared on record, but Ronnie had been around for a while doing sessions and being a part of Edgar Winter’s band.

This album does rock the dandruff away, from the opening distorted chords of Rock The Nation, to the close out tones of Make It Last – this is one of the best debut rock albums ever. Ronnie’s distorted guitar and riffing was new for everyone at the time, and to me, this was heavier sounding than Sabbath. Combined that with Hagar’s vocals, which are more Robert Plant than the man himself, it’s no wonder these guys were ripping up a storm across the states. It’s hard to pick a favourite, as there are so many tracks that have become classics, but if I’m pushed Rock Candy would do it for me. Killer riff and epic vocals – it doesn’t get better than that. The live bonus album actually has three tracks not on the album: Shoot Us Down, You’re Out If Time, and the Chuck Berry classic, Roll Over Beethoven.

9/10 from The Grooveman.

DIZZY MIZZ LIZZY – Alter Echo

Originally formed back in ’88, Denmark’s finest exponents of power pop released two incredible albums, Dizzy Mizz Lizzy, and Rotator, then disbanded in ’98. They reformed in 2016, and this is the second album after their reunion. Tim Christensen is a self confessed Beatles nut and that’s where the band’s name came from. If ever a band deserved some sort of world wide success – it’s these guys. The songwriting is top drawer stuff, and the production and recording is incredible.

The opening two pieces, The Ricochet which is a short atmospheric piece that leads into In The Blood – it’s as good as it gets. A fantastic track that draws you in straight away with its catchy melody and chorus and Tim’s soulful vocals. I would have bought the album for this song alone. Next track, Boy Doom, has quite a heavy groove and vibe to the song – and yet – they still manage to engulf and sing with a beautiful underlying melody. The Middle follows and starts with an echo tinged picked guitar, before the melancholic tones of Tim’s beautiful voice leads into the song properly. So much passion and feel in Tim’s voice and has the hairs on on my arms standing to attention. California Rain closes out the first side and starts with a distorted guitar riff and is very post grunge in its delivery. The thing that sets it apart from all those bands is the melody and the killer detuned middle section.

The whole of the second side is taken up by the song Amelia, which is in five parts. Epic in its conception and delivery – right from the acoustic tones of Part 1 Nothing They Do They Do For You, into the heavy grooves of Part 2 The Path Of Least Resistance, and back to the acoustics with Part 3 Lights Out and its haunting melody and vocal. We then go back to heaviness with the post rock strumming of Part 4 All Saints Are Sinners, then to the close out title track of Part 5 Alter Echo with the instrumental ending that leads into the hidden acoustic ending.

I love this band so much. If they were British or American I think they would have been huge, and it shows just how fickle the music industry can be. This is definitely the album that keeps on giving.

10/10 from The Grooveman.