REVIEWS FROM MY VINYL COLLECTION

Month: May 2021 (Page 14 of 15)

THE MAHAVISHNU ORCHESTRA – The Inner Mounting Flame

Often cited as the founders of the whole fusion movement, the band blazed a trail for all that followed them. Formed in New York in ’71 by Yorkshire guitarist, John McLaughlin, he assembled hotshot musicians around at the time. Billy Cobham on drums, Jan Hammer on keys, Rick Laird on bass, and Jerry Goodman on violin. This was the band’s first release way back in ’71. This is the Speakers Corner reissue and sounds superb.

The music on offer here ranges from the pure improv of the opener Meeting of The Spirits, to more structured tunes like Dawn. As you would expect, there is tons of experimentation with sounds and tones – especially with McLaughlin’s guitar and Hammer’s keys. My favourite track is Side 2 opener Vital Transformation, with its manic groove and incredible playing. This is the album that gave McLaughlin almost god status in the guitar world, and lifted Cobham’s credibility in drumming circles. It’s not an album for the casual listener as you have to give it repeated listens to appreciate all what’s going on.

7.5/10 from The Grooveman.

JASON BIELER AND THE BARON VON BIELSKI ORCHESTRA – Songs For The Apocalypse

For the uninitiated amongst us who are unaware of who Mr. Bieler is, he was the musical driving force behind Saigon Kick. Most of the strange musical interludes of that band can be attributed to him, and the vibe here is very similar. Other than a ton of special guest appearances (playing mostly solo pieces), Jason sings the majority of the songs, plays most of the guitars, and plays the keys. The cover and artwork scream Steampunk and it’s a great image for the concept.

The opening tune is an eerie musical piece that introduces the album properly with the heavy riff that accompanies Apology. A great tune with superb melody and lyrics. Bring Out Your Dead is another cracking tune with a great D-tuned riff with fantastic melodies and vocals. Very melodic but in a different way that is refreshing and has me wishing that Saigon Kick were still with us.

Side 2 starts with a ticking clock as the intro to Annalise before a great off beat drum groove takes you to Prog territory. Yes spring to mind at first, but it’s a lot more than that – such a fantastic unusual tune. Stones Will Fly follows and has Extreme’s Pat Badger on bass. It sort of carries on from the previous song as it has that Prog vibe to it. I love music that challenges the listener and is away from the norm, and this is definitely that – both strange and familiar at the same time. Down In A Hole closes out Side 2 in fine style with a heavy groove and staccato drumming, but it’s the vocal melodies that get you, and I love the middle section.

Over to Side 3 we go with the power pop tune, Anthem For Losers. This a great tune, and the type of song that I wish the charts were full of. Horror Wobbles The Hippo is a short jazzy connecting piece with brings is into Beyond Hope – another fantastic oddity of a tune. There is a reggae/rock groove, a Jamaican style vocal from Benji of Skindred, and a solo from Bumblefoot. Epic stuff – more please! Crab Claw Dan brings Side 3 to a close, and starts with a Victorian fairground vibe and those wonderful layered harmonies.

A killer riff starts off Side 4 opener, Born Of The Sun, and we’re in Prog metal territory. Another killer tune – when will the pleasure end! Baby Driver is next, and is another wonderfully strange instrumental piece. Then we have Alone In The World with Jeff Scott Soto on vocals, and it’s another delightful oddity. Very Fine People is an acoustic driven piece, but again it’s the vocals and harmonies that soar above the music. A strange little piece FKSWYSO closes out the album and the line “You’re still a fat kid swimming with your shirt on” is stuck in my brain. It’s a joy to hear that such challenging and beautiful music is still being made, especially in the melodic rock world where every band seems stuck in 1983.

9/10 from The Grooveman.

SONS OF APOLLO – Psychotic Symphony

Now, no one can accuse Mike Portnoy of being lazy. Since his departure from Dream Theater in 2010, he has been involved in 706 different projects and none of them sound like Dream Theater…until this one. Personally, I’m surprised its taken 7 years for him to make an album like this. I’m aware that he did the 12 steps suite with Haken and Eric Gillette as his backing band. He always wanted to do them as a whole with Dream Theater, and for obvious reasons that never happened. So if you’re going to do a Prog metal record to rival what you have done before, then you’re going to need some kick ass musicians right?

Bumblefoot is on guitar, and what a great and innovative player he is. Billy Sheehan on bass is a monster player in his own right. Portnoy’s old DT band mate, Derek Sherinian, is on keys. He was my favourite DT keyboard player as he brought the rock big time – I was sad to see him leave. On vocals, Jeff Scott Soto, who has been around the block a few times, and to me, is the best possible vocalist for this band. He has great tone and range to his vocals. I’ll get this out of the way here: I was a huge DT fan and have seen them 36 times, but over the last couple of albums they have been coasting and all of the creativity and challenging music seems to have gone. So, this album is a shot in the arm for me. To see Portnoy still wishing to push himself and create challenging music is a joy.

Gods Of The Son is a monster opening tune, and whether MP admits it or not, it’s a big F-U to his former band. This has everything and will blow you away. Coming Home keeps the quality very high, and has the bonus of a killer chorus and vocal from Jeff. The opening riff and groove to Signs Of The Time is just epic, and you can see that the main difference between SOP and DT is the melodies as well as Jeff’s vocal tone. Of course, the music is top notch and all of them are out doing each other. Parts of this song remind me of the fusion bands of the seventies. I’m drooling…and that was just Side 1!!!

I’m going to skip to the final track – Opus Maximus, but take it from me, every song on this record is just amazing. The opening instrumental section is eerie and doom inducing before exploding into instrumental heaven. There are a thousand different riffs and grooves to keep the fidgety amongst us happy. One hell of album! My only gripe about this record is that Side 4 is one of those pointless etched sides. Yeah it looks pretty, but when I’m paying $50 for a record I’d like music all the way please.

9.5/10 from The Grooveman.

WAYSTED – Save Your Prayers

This is a very different sounding band to the one that recorded their debut album Vices in ’83. Vices was a very British sounding rock album with gravelly voiced singer, Fin Muir. Fast forward 3 years to ’86, and America is the prime focus this time around. This is a very slick sounding record, and they recruited a very slick sounding singer to give the tunes the treatment they deserved. Unknown at the time, Danny Vaughan was a revelation as he breathed life into a flagging band. Of course he went on to form Tyketto and Vaughan to showcase his talents more with his own songs. He is not credited on any of the songs here as they are all Way/Chapman compositions.

This was by far the band’s most successful album and is held in high regard in the melodic rock community. Walls Fall Down is a great opening tune and rocks hard with a great vocal and guitar. Black And Blue and Singing In The Night are the next two tracks, and Journey was definitely the footprint for these two tunes as they are very melodic and the song is the main focus here. Hell Comes Home has that British/UFO vibe to it with a cool choppy riff. It has a great vocal from Danny showing what a powerful voice he has. Hero’s Die Young is the stand out track on the album and is the big production number. Slow build up with some great harmony vocals before the galloping riff and groove kick in. Great tune!

Side 2 starts with Heaven Tonight and this was the big single from the album (depending on which country you were in) and is an “all American hero” type of song. it has a super catchy chorus and melody – it’s easy to see why it did so well. How The West Was Won has that Springsteen vibe to it, and is the weakest song on the record. Wild Night is a kick ass glam metal tune and rips along at a great pace, with a great riff and a hard driving beat. Out Of Control has a slow dirty sleazy groove and is a nice change of pace. Album closer, So Long, was obviously written with a live performance in mind as it’s cigarette lighters in the air time folks. So what we get from this is Danny Vaughan is a killer vocalist, Tonka Chapman is a great player, and this is not a bad album.

8/10 from The Grooveman.

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