REVIEWS FROM MY VINYL COLLECTION

Month: March 2021 (Page 8 of 14)

THE CARS – Panorama

The Cars were one of the more interesting bands that were born out of the punk/indie scene in the US at the end of the seventies. After the success of their first two albums, the pressure was on for them for the difficult third release. The record company drafted in former Queen producer Roy Thomas Baker to oversee matters.

At their quirkiest, they sounded like Devo – mainly due to the vocal style of Ric Ocasek. At their best, they were a great pop band of the time. By this time they had gone full on into synth pop territory, and bore little resemblance to the band that had recorded My Best Friends Girl and Just What I Needed – they were killer tunes.

As usual with US singles bands, the 1st Side is loaded with the singles – even though in my opinion they aren’t that strong. I don’t have a favourite track as they are all a bit of a muchness. It’s definitely of it’s time, and sounds quite simplistic by today’s standards. As I mentioned, this was the difficult third album and didn’t sell that well. It’s an ok album, but nowhere near their best.

5/10 from The Grooveman.

MOTÖRHEAD – Overkill

Overkill, the album that started it all. This folks is the ground zero moment for the birth of the thrash metal movement…well…one track in particular was responsible. This would actually be Motörhead’s third attempt at recording an album. The first,(which would come out after they had a name and were selling records), On Parole, was shelved as it was deemed not good enough for release. The second, the self titled album, was heading that way until Chiswick Records stepped in to release it. So really, you could say this was the first proper Motörhead album, the first with the classic line up of Philthy, Lemmy and Fast Eddie.

First track in is the title track and the one that would be of interest to one Lars Ulrich, and a burgeoning scene in the Bay Area of San Francisco. Overkill was their first on Bronze Records, and was the first song to have double kick drums all the way through on a fast track. No mean feat as it lasts for 5.12 minutes and the drummer probably needed oxygen after. Everything about the track is awesome. Eddie’s guitar sound is killer, and Lem’s vocal just makes it a great track. Stay Clean is a typical Motörhead track of this line up. I Won’t Pay Your Price, I’ll Be Your Sister, and Capricorn have that space rock element to them from Lemmy’s stint in Hawkwind, but with that harder edge – plus Lemmy wanted to stick it to his former band mates for kicking him out of the band.

Side 2 starts with No Class, and it sounds to me as though the main riff has been lifted from Tush by ZZ Top. Damage Case is next and again is a typical sounding track for the band. Tear Ya Down, Metropolis, and Limb from Limb are great early Motörhead tracks.

I saw this line up numerous times back in the day and there was something special about them. They were like a force of nature and you felt as though you were part of a gang. I know this line up only lasted for four years before the inner turmoil came out and Eddie left to form Fastway. I know the band carried on until Lemmy’s death, but these guys were special. It’s hard to believe that a band that was so important to me at the time are now all dead. The first thing Lem would say when walking on stage would be “Good Evening! We are Motörhead, and we play rock n roll” and that’s all you need to know. I love the first four albums as they are classics of the genre.

9.5/10 from The Grooveman.

THIN LIZZY – Chinatown

This is the often maligned and forgotten 10th studio album from one of the best rock bands of the era. This was also the introduction to the band of guitarist Snowy White, who was only previously known as a touring member of Pink Floyd – and seems an odd choice to join these hard livin’ rock n rollers. I can see why that fans don’t like this album. Other than the two singles, the material wasn’t that strong.

The first of the singles mentioned is the title track, with is unforgettable and brilliant opening riff. In my opinion, one of the best Lizzy tracks. It made fans pay attention and accept Snowy into the band. The other single was the hard drivin’ Killer On The Loose, which people bought because of the upholder-of-decent-moral- standards, Mary Whitehouse’s hatred of the song. Other than Genocide, all of the remaining songs seem to be rehashed ideas of previous Lizzy tunes and are frankly not that strong.

It’s well documented that Phil’s problems with his addiction to the demon heroin, and because of it the material was beginning to suffer. There were only 2 more Lizzy albums to follow after this before Phil’s death in ’86. I did see them on this tour, and they were still entertaining, Phil gave it is all.

The title track gets 10/10, and the album 6.5/10 from The Grooveman.

GLENN HUGHES – Building The Machine

Released 20 years ago, this was The Voice Of Rock’s 9th solo release. The first 4 solo efforts nearly passed unnoticed as he was playing really small venues just to keep going. Of course, he is known by most people as being in the Mk111 and Mark1V line ups of Deep Purple. He was the best vocalist in the band, and yet he was not the lead vocalist as that honour went to Mr Coverdale. Well known for his like of all things funky and soulful, he was partly responsible for turning Purple in that direction – resulting in the departure of Richie Blackmore for the first time.

Anyway, let’s get down to reviewing this slab of wax. It starts with Can’t Stop The Flood and it sounds exactly like you would expect, a big funk rock tune to get your grooves firmly in place. Inside keeps things going in that funky direction before Out On Me arrives and takes us back to Glenn’s first outfit, Trapeze, with the feel and soul of the song. A cover of Rare Earth’s I Just Want To Celebrate is next, and as expected, is rocked up to go with the song’s funky grooves – plus a guest appearance on vocals and guitar from Pat Travers. Don’t Let It Slip Away is next and is downright dirty funk, and for me is the best track on the album. Great key changes and harmonies. Feels Like Home has the unenviable task of following after that and it is a really laid back tune, but with a great vocal from Glenn. The old Deep Purple song, High Ball Shooter, is next and is given the full funk treatment. When You Fall starts with a big fat riff from JJ Marsh and is a really good funk rock tune – with the usual over the top vocal from Mr Hughes. I Will Follow You closes out Side 3 and is ballad central. Beyond The Numb opens up Side 4 with its cinematic beginning and a killer Glenn vocal. It’s a really cool groovy tune. The album ends with Big Sky and is a quiet ending to a really rockin’ record.

I would say Glenn was at his vocal peak at this point and his voice is undeniably awesome. Also a big shout out to JJ Marsh whose lead and rhythm playing is top drawer.

8.5/10 from The Grooveman.

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