REVIEWS FROM MY VINYL COLLECTION

Day: March 31, 2021

ANTHRAX – For All Kings

Unbelievably, this album is now five years old. Now, I’m not dissing John Bush, as the albums he sang on were good – it’s just that they didn’t sound like Anthrax albums, and I guess the fans thought the same as sales (both product and live) were dwindling. So call me a sceptic, but it was more than coincidence that we saw the return of Joey Belladonna as the front man. It feels as though this album, and Worship Music, were a continuation after the Persistence Of Time album. This is a really good record!

Opener, You Gotta Believe, is classic Anthrax and a fine return to form. Monster At The End would have been a great single if it had been released as one. They also have recruited one hell of a guitar player in Jon Donnais. It’s taken them a while to get a true replacement for Dan Spitz. Charlie Benante is one of metal’s great drummers and seems to dive under the radar constantly, but he plays his ass off here. Breathing Lightning has a great intro before blending into a classic Anthrax riff and groove. Special mention to Joey B for a great vocal and injecting some melody into proceedings. Suzerain is the heaviest track on the album and is another killer track. Evil Twin was a lead off track for the album and you can see why – it’s classic Anthrax. The slow brooding intro of Blood Eagle Wings follows and sees the band trying a slightly different approach, but still retaining that Anthrax DNA. The best track on the album Defend/Avenge is next. A great intro, a huge descending riff, and killer vocal – epic stuff!! All Of Them Thieves is also a contender for best track, another killer groove and riff plus epic drumming from Charlie. This Battle Chose Us is the penultimate track, and a fine head banger it is with another descending riff. The close out track Zero Tolerance is a fast thrash race for the finish line.

This is a double album, and yet again, the final track is etched. What a waste. If you have no studio tracks then fill it with Live tracks. Charging $40 for 3 Sides is a rip. Anyway, besides that it’s a great album and a worthy addition to the Anthrax catalogue.

9/10 from The Grooveman.

JOE BONAMASSA – Royal Tea

It seems as though Joe Bonamassa has single handedly been keeping the blues alive in the mainstream for a very long time. I’m aware that there is a thriving blues scene that bubbles just below the surface, away from the glare of the spotlight, and only Gary Clark has broken through to join him as of late. Joe constantly tours and records new material, whether it be by himself or with collaborators, he basically has worked his ass off to get where he is today.

Royal Tea is his latest release of all new songs. Opening track, When One Door Opens, is a blues rock tour de force – a classic Bonamassa blues rocker. The line between blues and rock is a fine one, and with the title track, Royal Tea, the line is blurred constantly. Why Does It Take So Long To Say Goodbye complete with a big solo centrepiece, is a blues ballad in the style of Gary Moore. Lookout Man is quite a heavy track, and sees Bonamassa changing things up a little. High Class Girl gives more than a nod to Green Onions, as it has the same groove and a very close riff. A Conversation With Alice seems to steal a bit of the opening riff from Paperback Writer, well he is in Abbey Road so I guess the vibes are rubbing off? I Didn’t Think She Would Do It has a huge Hendrix vibe about it, but done Bonamassa style. A great tune. A slow almost Wild West vibe is the intro to Beyond The Silence, which is a blues/country crossover. The almost swing boogie woogie of Lonely Boy follows, and takes us to the final track, Savannah, which has that southern country feel.

Joe consistently makes good records and this one is no different.

8.5/10 from The Grooveman.