REVIEWS FROM MY VINYL COLLECTION

Day: March 6, 2021

GOJIRA – Magma

Heavier than a heavy thing on a heavy train to heavy town. This album is supreme heaviness wrapped in a blanket of awesome. This is the sixth album from the French tech metallers. They appeared roundabout the same time the djent offshoot was taking root and they were lumped in with those bands, but there is way more going on here.

The first track, The Shooting Star, is quite a left turn for the band as its very Sabbath sounding both in vibe and feel, and with a clean vocal. Second track, Silvera, starts off in familiar territory – with supreme heaviness before the melody interjects to add clout to proceedings. The Cell proceeds to melt your face off with some epic double kicks and monster heaviness, before down-tuned grooviness ensues. Stranded starts with big chugga’s and swell pedal weirdness and is the heaviest track yet. Side closer, Yellow Stone, is just a small bass instrumental to fade out.

Over the flip we go and the title track, Magma, bursts forth and is a mixture of fat heaviness and psychedelic vocals and vibes. Pray follows with some epic thunderous beats with rhythmic chugga’s, and monk like chanting before supreme heaviness takes over. Only Pain proceeds to pound my brain into submission with epic drumming from Mario Duplantier. Low Lands starts with some fantastic off-groove drumming, before the almost Pink Floyd-esque vocals start – a great mix of heavy and hippy. Last track, Liberation, is another weird instrumental piece.

If they had put the two small side closing pieces together, and added another song, this would have been a 10 album. A great album by a great band. In the somewhat tired genre of metal, they are a shining light.

9/10 from The Grooveman.

STEVIE RAY VAUGHAN – Couldn’t Stand The Weather

Along with Bowie’s Let’s Dance, and the release of the Live At The El Mocambo, this was the album that launched Stevie into the cosmos. We had heard murmurings in the music press about this hot shot guitar player from Texas, but nothing could prepare us for the sheer power of Stevie’s playing. Sure he had all the Hendrix licks and moves down to a tee, but his style was all his own. Listen to the almost chicken pickin’ workout of Scuttle Buttin’ to see what a great style he had. The first time I heard Stevie was on the Let’s Dance video and I was blown away. There is something about a three piece that you just can’t beat. It’s all you need: guitar, bass, drums and vocals – that’s as pure as it gets. When Stevie changed the format himself by bringing in keys and horns, it was never the same.

Other than live performances, this album was as good as it got for me. This album is a mix of originals and covers dear to Stevie. The second track, the title song from the album, is a self penned tune and has the Hendrix blues mix that would be his trademark – a great song it is. The first cover is The Things I Used To Do, a blues standard written by Eddie Jones, which shows what command SRV had over his tone and sound. Hendrix’s Voodoo Chile closes out Side 1 and would become a showcase in the set whenever it was played live. Stevie doesn’t mimic Jimi, he makes it his own.

Side 2 opens with the Doyle Bramhall written Cold Shot, which is an awesome tune and was released as a single. The Jimmy Reed classic Tin Pan Alley is next – Reed was a big influence for Stevie. The album ends with two original: Honey Bee, a classic shuffle, and Stangs Swang a triad jazz piece that shows Stevie’s versatility as a player. No one trick pony here.

This is another in the series of everyone should own one.

9/10 from The Grooveman.