REVIEWS FROM MY VINYL COLLECTION

Day: March 15, 2021

THE CARS – Panorama

The Cars were one of the more interesting bands that were born out of the punk/indie scene in the US at the end of the seventies. After the success of their first two albums, the pressure was on for them for the difficult third release. The record company drafted in former Queen producer Roy Thomas Baker to oversee matters.

At their quirkiest, they sounded like Devo – mainly due to the vocal style of Ric Ocasek. At their best, they were a great pop band of the time. By this time they had gone full on into synth pop territory, and bore little resemblance to the band that had recorded My Best Friends Girl and Just What I Needed – they were killer tunes.

As usual with US singles bands, the 1st Side is loaded with the singles – even though in my opinion they aren’t that strong. I don’t have a favourite track as they are all a bit of a muchness. It’s definitely of it’s time, and sounds quite simplistic by today’s standards. As I mentioned, this was the difficult third album and didn’t sell that well. It’s an ok album, but nowhere near their best.

5/10 from The Grooveman.

MOTÖRHEAD – Overkill

Overkill, the album that started it all. This folks is the ground zero moment for the birth of the thrash metal movement…well…one track in particular was responsible. This would actually be Motörhead’s third attempt at recording an album. The first,(which would come out after they had a name and were selling records), On Parole, was shelved as it was deemed not good enough for release. The second, the self titled album, was heading that way until Chiswick Records stepped in to release it. So really, you could say this was the first proper Motörhead album, the first with the classic line up of Philthy, Lemmy and Fast Eddie.

First track in is the title track and the one that would be of interest to one Lars Ulrich, and a burgeoning scene in the Bay Area of San Francisco. Overkill was their first on Bronze Records, and was the first song to have double kick drums all the way through on a fast track. No mean feat as it lasts for 5.12 minutes and the drummer probably needed oxygen after. Everything about the track is awesome. Eddie’s guitar sound is killer, and Lem’s vocal just makes it a great track. Stay Clean is a typical Motörhead track of this line up. I Won’t Pay Your Price, I’ll Be Your Sister, and Capricorn have that space rock element to them from Lemmy’s stint in Hawkwind, but with that harder edge – plus Lemmy wanted to stick it to his former band mates for kicking him out of the band.

Side 2 starts with No Class, and it sounds to me as though the main riff has been lifted from Tush by ZZ Top. Damage Case is next and again is a typical sounding track for the band. Tear Ya Down, Metropolis, and Limb from Limb are great early Motörhead tracks.

I saw this line up numerous times back in the day and there was something special about them. They were like a force of nature and you felt as though you were part of a gang. I know this line up only lasted for four years before the inner turmoil came out and Eddie left to form Fastway. I know the band carried on until Lemmy’s death, but these guys were special. It’s hard to believe that a band that was so important to me at the time are now all dead. The first thing Lem would say when walking on stage would be “Good Evening! We are Motörhead, and we play rock n roll” and that’s all you need to know. I love the first four albums as they are classics of the genre.

9.5/10 from The Grooveman.