REVIEWS FROM MY VINYL COLLECTION

Day: March 12, 2021

MASTODON – Crack The Skye

For me, Mastodon are the one of the truly great bands that have emerged in the 21st century. This, along with two other of their releases, are top drawer classics. This was the band’s 4th full length release, and it’s the first to feature drummer Brain Dailor as their third lead vocalist. The sound also changed on this record to a more progressive sound. Again it’s a concept album, the subject being the element Aether, which is the soul and spirit of all things. For the keen eyed amongst you, you will also know they based albums on fire, water and earth. Air is still waiting for its turn.

Every track is a beast of a song and the creativity is off the charts. The opening song, Oblivion, is an absolute monster of a track to start an album with. Divinations follows and the quality continues. Track three, Quintessence, is one of the best tracks you will ever hear in this genre, it has so many twists and turns musically and lyrically – it has all the feels from me, the word epic does not do it justice. This side closes out with The Czar which is in four parts. A very Uriah Heep style organ intro before even more epic-ness ensues. Such a deep feeling track – a very emotive piece and yet still retains its heaviness in a subtle way.

Ghost of Karelia gets Side 2 underway and lots of tapping into consciousness vibes abound. Another deep track with an underlying heaviness. The title track follows, and is probably the heaviest sounding track, with lots of d-tuned goodness without losing the melody. Things come to an end all too quickly with the last track, The Last Baron – another huge beast of a song. This has to be Brent Hinds’ best vocal on any Mastodon album.

So many changes musically, from great riffage to delicate solo pieces. I am totally in awe of this band. I am thankful to be on this planet at the same time as these guys to witness the creativity that oozes out of each one of them.

A big 10/10 from The Grooveman!!!

UFO – Phenomenon

Formed back in ’68, but it wasn’t until the release of this album in ’74, and the introduction of Michael Schenker on guitar, that the band started to find their sound. You will still hear that typical early seventies rock sound on some of the songs here for sure, but there are two all time UFO classic songs to be found here. To most fans (me included), the golden period for the band was from this album until the departure of Schenker, after the release of one of the all time great live albums, Strangers In The Night. On a side note, Schenker was only 18 when he left the Scorpions to join UFO. Other than Schenker’s guitar, it was the vocals of Phil Mogg that made the band unique. If there ever was a category that was a typical English Rock Band, then number 1 top of the list would be UFO.

Anyway, into the album we go. We have two very standard rock songs to start us off with Too Young To know and Crystal Light, each brought to life by Schenker’s guitar and Mogg’s vocals. Third track in is Doctor Doctor, which when the live album was released, would be put out as a single by the record company and would break the Top 20. A very simple rocker, but very effective and would become an anthem for the band. Fun fact, Iron Maiden plays this track over the PA just before they take the stage at every show. A very hippy-ish number, Space Child, follows with an acoustic riff, again a great vocal and guitar makes this the stand out track on Side 1 for me. Classic track number two, Rock Bottom, closes out Side 1 and another very simple but effective track.

Side 2 begins with Oh My, the only full band collaboration on the album, and it’s probably the weakest track on the album despite a cool solo from Schenker. Time On My Hands follows, a nice song that shows the softer side of the band. Built For Comfort, a cover of the Willie Dixon song, is next and shows the early roots of the band. A short Schenker penned instrumental, Lipstick Traces, is next before the album closer Queen Of The Deep – a song that they would close the set with around this time.

The albums that followed this would see them develop the sound into a full hard rock band and gain them success and make them a top drawer live band.

7.5/10 from The Grooveman.