REVIEWS FROM MY VINYL COLLECTION

Month: March 2021 (Page 5 of 14)

MICHAEL SCHENKER GROUP – One Night At Budokan

The max axeman does a UFO move, and releases a love album that would really boost his career. This two-disc set is the best tracks from the first 2 MSG albums – plus a couple of UFO favs. Rumours were rife at the time that Braden had gone into a studio to re-record his vocals – he was very hit and miss when performing live. Nothing wrong with that really, as the whole of Judas Priest’s Unleashed In The East was recorded in the studio. There is also the addition of ex-UFO bandmate Paul Raymond on rhythm guitar and keyboards to fill out the sound. Fairly standard versions of most of the songs – except extra and different solos from Schenker added everywhere. Other than a rousing version of Doctor Doctor, the instrumental Into The Arena is my favourite track.

8/10 from The Grooveman.

ROBIN TROWER – In City Dreams

This is the fifth solo album from the ex-Procul Harum guitarist. This was the first album where James Dewar hung up the bass and concentrated on vocals alone. For me, this was a marriage made in heaven, as Trower and Dewar complement each other so well. Trower’s tone and style of playing is unique – I don’t see the Hendrix copycat nonsense. There is so much more to Robin’s playing! Dewar’s vocals are so soulful and rich in texture. RIP Jimmy!

In City Dreams sees Trower delving deeper into funky territory that he briefly visited on previous releases. First track in, Somebody Calling, is funk gold as Trower’s funky riff and Dewar’s soulful groove capture the vibe perfectly. There is a YouTube live clip of this song, which is awesome – go take a look! Sweet Wine Of Love follows and keeps the mood flowing before the soulful laid back tones of the beautiful, Bluebird, chill the listeners mood. The Falling Stars opening riff and groove take us back to funky town with another great vocal from Dewar and some slinky licks from Trower. The only cover on the album, Farther Up The Road, closes out Side 1, and is a great representation of the tune.

Over we go to Side 2 with Smile – the track has a very cool riff and groove – a very funky tune. Little Girl follows with a very slow bluesy funky vibe with a killer vocal from Dewar. The very slow blues of Loves Gonna Bring You Round is next and is showcase for both Trower and Dewar. The album closes out with the title track which has a very spacey vibe.

A great album. I don’t think Trower made a bad album for the first 7 of his solos records.

9/10 from The Grooveman.

CONEY HATCH – Outta Hand

Forming in Toronto back in ’81, this is their second release on the Anthem label and produced by Max Norman. The first self titled album was produced by Kim Mitchell. They only released three albums with Friction in ’85 being their last – before reforming in 2013. This album sounds huge compared to the first album, and has a lot more balls sonically and sounds awesome.

Opening with Don’t Say Make Me and it is a hard rocking track with a great chorus and vocal by Carl Dixon. Shake It is another cool track but with a more quirky vibe – in part due to the different vocal style of Andy Curran. Power ballad approaches with First Time For Everything, another showcase for Dixon’s vocals. Some Like It Hot is another Curran lead vocal and its as if another band are playing. The difference in vibe is uncanny. Side 1 closes with To Feel The Feeling Again, and another it’s another ballad. I guess when you can sing this good it’s a gimme to highlight the voice.

Side 2 kicks off with the big rock sound of Too Far Gone- a typical tune from this period. Next up is Love Games, another Andy Curran track and is an OK tune. Fallen Angel is the best song on the album and starts with the Radar Love drum groove before the big riff kicks in. I do like the quirkiness of Curran’s tracks as they do have a differing style that I like. The album finishes with Music Of The Night another power ballad. Not a bad record.

7.5/10 from The Grooveman.

THE CONTORTIONIST – Language (Rediscovered Edition)

The Contortionist are a very chameleon like band. They started out as At The Hands Of Machines in 2007, and were a lot more hardcore in their sound. This is their third full album, and with the arrival of Mike Lessard on vocals, they have changed their direction to a more progressive metal band. There are still hardcore moments, but Lessard’s ethereal/breathy style of vocal lends itself to a more melodic style. They are a very complex band song structure wise as there is a lot asgoing on to engage the listener. No straight four-to-the-floor here as there are lots of odd time signatures, key changes, and groovey passages. This is the rediscovered edition with an extra four tracks that were reworked from the original album.

The Source opens things up in atmospheric ambient style and showing the really soft vocal style that Lessard has. The Language follows in two parts and takes the listener on a ride with a multitude of parts and changes. Epic stuff! Integration is the last track on Side 1 and is a tech metaller’s wet dream. Clean and growl vocals abound and the riffs and off time grooves a plenty. Awesome track.

Over to Side 2 we go with Thrive. The contrast between the heavy music and the clean style of Lessard’s vocals is striking and it works really well – another fantastic track. Primordial Sound follows and starts off with a totally non-metal approach with lots of picked guitars, some vocal and ambient keys, and off into fusion territory we go. Arise is the end of this side and is possibly the heaviest track on the whole album, lots of down tuned goodness.

Ebb & Flow starts Side 3 in an Depeche Mode style before sanity prevails and odd time signature heaven returns. This is my favourite track that they do. Lots of nods to prog bands of old, and lots of invention from the now – its also supremely heavy in places. Something for everyone all in one track. The last track on the album is The Parable, and it starts with what I will call a metal ambient soundscape before lots of tech/prog metal goodness kicks in.

So over to Side 4 and the rediscovered tracks. What they have done here is that after being on the road and touring the tracks, each song had evolved, and in turn, had been rediscovered. It’s like listening to four new tracks and is interesting to hear how the band have evolved. I love this, and would be great if more bands did it.

In case you haven’t guessed, I really love this album and it is a 10/10 from The Grooveman. I am not a snob and won’t hold back from giving an album a 10 if it deserves it.

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