REVIEWS FROM MY VINYL COLLECTION

Month: July 2021 (Page 3 of 14)

BULB – Moderately Fast, Adequately Furious

For anyone who does not know, Bulb is the alter ego of Periphery main-man, Misha Mansoor. I have been a fan of Bulb since the file sharing days pre-Periphery, and it’s been amazing to watch the growth of himself and the band. A lot of the earlier ideas ended up being in the first two Periphery albums. Everything here has either been in demo format, or they didn’t have homes stylistically.

I am so blown away by this record – it is just outstanding. This is an album of extremes, both in sound and in style. The opening track, Unleash The Pwnies Redux, is so extreme in rhythm, groove, and riffage your jaw hits the floor in wonderment. Echo Teuffel is a complete extreme to the previous track, as the ambient sounds and chill groove are sublime – and Bulb’s playing is so good. Breeze Redux is an old demo, but the riffing and djentyness is epic, and again, a killer solo – I love the feel and groove. Maximum rhythm and djent for the start of the next track, Parabolica. The low end to this song is nuts – no one plays these grooves like Bulb. Two Brothers sounds as though it’s a backing track to a game or a manga cartoon – a very dramatic piece. Far To High is a collaboration between Misha and his brother Axel, and is the only track with vocals. It’s the most laid back piece on the album with a killer solo. Fuf Redux is another a really old Bulb piece and a personal favourite. It’s so heavy and insane with the grooves and extreme djentyness – especially towards the end. Did I say this was EPIC??? Press Enter Redux is another older piece with fat riffage, and an ambient under groove with some really melodic leads. Upload Apathy is the first electronic piece that opens with a piano and feels sort of Kraftwerk with attitude. Download Happiness is electronic piece number two, and I love the vibe and feel of it. Last track, And Yet, This Man Will Soar, is very atmospheric and orchestral – it would not be amiss on a film score. Quite a diverse album that delivers to the max and highly recommended.

9.5/10 from The Grooveman.

GUNS N’ ROSES – Appetite For Destruction

There is no denying that this album is one of the best debut albums of all time. I think it’s also common knowledge that the start of the band was the coming together of Axl Rose’s band, Hollywood Rise, and Tracii Guns’s band, LA Guns. In true Axl style, he proceeded to fall out with all of the members from LA Guns, and replaced them with the rest of the Hollywood Rose guys. The rest they say his history, except it nearly wasn’t, as the band went on a west coast tour which nearly killed them and set new heights for what a human body could handle.

Geffen released Live Like A Suicide just before the band went into studio to record this – just to keep the buzz going. I don’t think anyone was expecting the quality of songs on Appetite to be as good as they were, and I think a big part of that was producer Mike Clink. He managed to capture the car crash nature of the band, and yet, at the same time was able to bring out the all of the awesome in the songs. Five singles were released from the album and they were away and running. The band would never release anything near as good as this piece of work. Sure, they had some great songs, but nothing that would come close to Appetite.

I think you will agree that this is a definite 10/10 from The Grooveman.

10CC – How Dare You!

Back in 1976 when albums were huge, big productions and singles were fashionable to be 6 minutes long, well…until they were edited for radio anyway. That tradition came back in fashion thanks to Queen and Bohemian Rhapsody.

Formed in Stockport back in the late sixties, 10CC always had a knack for penning quirky singles that attracted my attention. Anyone remember Rubber Bullets or Life Is A Minestrone? They were great pop tunes but had something different to make them that made them stand out from the crowd. The big single from this record was I’m Mandy Fly Me, which seemed to be at #1 forever, and it was a great song. It had all the elements to make it a success, and it had great crossover appeal. Pop fans loved it, rock fans loved it, and Prog fans loved it for the big arrangements. The band denied that this was a concept album, although they did admit to all the songs being connected. Art For Arts Sake is also on this record, but gets somewhat forgotten because of Mandy, but I really like that song and it’s superbly written.

Unfortunately, this would be the last album that the classic line up would record as they would split into two. Godley & Creme would break away and do their own thing – ultimately they would be super successful at doing pop videos. This is a great record and the band never gets mentioned as one of the greats, but I love them and this a fantastic record.

8.5/10 from The Grooveman.

LION – Trouble In Angel City

After the relative failure of their first album, they were dropped by Scotti Brothers. For this, their second and final album, they signed to a relatively unknown label, Grand Slamm. For those that don’t know, these two albums would be Doug Aldrich’s first recordings before the seemingly endless revolving door of projects, which still continues today as he’s a member of the Dead Daisies. On the other hand, after joining Aldrich in Bad Moon Rising, British vocalist Kal Swan would vanish from the scene all together.

The album has all originally penned tunes, other than the Slade track Lock Up Your Daughters, which they manage to make sound like Whitesnake, this is a very good melodic rock album – but doesn’t quite reach the heights of the first album. Highlights for me are the excellent Love Is A Lie, the fat riffage of a Hungry For Love, and the best track on the album, Forgotten Sons. Doug is a killer guitar player and it’s worth getting just for that alone.

8/10 from The Grooveman.

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