REVIEWS FROM MY VINYL COLLECTION

Day: July 7, 2021

MEGADETH – Killing Is My Business…And Business Is Good! (The Final Kill)

Now, quite understandably, Mustaine was quite pissed off when he put MEGADETH together and went into the studio to record this album. He was angry at Lars and James for kicking him out of Metallica without giving him a chance, and he was super angry with them for recording their first album with his songs. Well, that’s how he saw it anyway. The trouble with addiction and addicts is that they always blame everyone and everything else for their failings. It’s an absolute miracle that this album was recorded as all of them were out of there minds whilst recording and playing live. It was the same for the first three albums. I guess that’s why I love them so much – as they are on the edge of falling apart. It’s a fact that when Mustaine started to clean up, the music he made changed accordingly. He changed from a thrash innovator, to speed metal creator.

Anyway I digress, this album is the 2018 remaster complete with bonus disc with live tracks and demos. Last Rites/Loved To Death is such a groundbreaking track as no one had put anything like this twisted thrash down on record before. A ground zero track. The title track is another innovative piece with some serious speed double kick drumming and fast chugga chop riffing. I remember Rattlehaed being the fastest track I had ever heard at the time – and it’s still up there! Chosen Ones is just a monster of a riff to loosen up the dandruff. Looking Down The Cross is just pure evil, both lyrically and musically, and is a killer track. Now everyone knows that Mechanix is the Four Horseman, and I assume this is the vision that Mustaine originally had for this track, and as you’d expect, it’s sped up somewhat. A great twisted cover of Nancy Sinatra’s These Boots closes out the album proper.

The bonus disc is worthy of inclusion for the demo versions of Mechanix, Last Rites, and The Skull Beneath My Skin. I always think it’s cool to see how tracks evolved. I don’t particularly care for Mustaine as a human, but you cannot deny his hand in creating a genre or two, and I do love the first three Megadeth albums.

9/10 from The Grooveman.

KINGDOM COME – In Your Face

I could never understand all the nonsense surrounding this band with the comparisons to Led Zeppelin. Now, Lenny Wolf does sound a little bit like Robert Plant, but he also sounds a lot like Geddy Lee, but musically they are miles away. Imagine if Greta Van Fleet had been around 30 plus years, there would have been music journalists who would have had a stroke. This is a great album with killer production from Keith Olsen, it’s not polished too much, just leaving enough raw around the edges.

Do You Like It is a great opening track with just the right amount of melody and crunch – it was the lead off single. Who Do you Love carries on with a nice hook and chorus. The only track that bears a passing resemblance to Zeppelin is The Wind, with the long drawn out middle section – it’s a very dramatic sounding tune. Gotta Go (Can’t Wage A War) follows and is possibly the weakest track on the record. Side 1 closes out with Highway 6 and it has a nice blues acoustic intro before the big blues rock crunch kicks in – and we’re off and running.

Side 2 kicks off with Perfect O, a cool riff and some nice slide playing make this a cool track. Just Like A Wild Rose is a nice change of pace with a nice slow groove, and again, is quite a dramatic sounding tune with a killer middle section. Overrated was the second single from the album and is very AC/DC in its execution – this is my favourite off the album, simple but effective! Mean Dirty Joe has a great opening and has a nice fat riff to drive things along – this is a joint contender for best track. The album closes out with Stargazer, and with a title like that the song has a lot to live up to, and it doesn’t quite manage it but it’s still a nice song to close out the record. If I’m honest, the album does sound a bit dated, but I still like it and that’s what matters.

8.5/10 from The Grooveman.