REVIEWS FROM MY VINYL COLLECTION

Day: July 16, 2021

INTRONAUT – Habitual Levitations (Instilling Words With Tones)

This is the fourth album from the amazing Intronaut – the most groove-tastic of all the Prog metal bands. The band have brought more melody to the table since the early days, and to me, are now the complete band. The songs are quite simple in structure, but it’s the layers that are added to fill out the sound, and the amazing rhythms, riffs and grooves that make them one of the most unique bands of the genre. They have their own sound and you know you are listening to Intronaut, which is great thing as they are able to stand out from the crowd.

Killing Birds is a monster opening track with all the trademark sound and tones. The Welding is just unbelievably awesome with its use of differing time signatures for nearly all of the instruments, plus the riff is so fat and huge, and the rhythm section is so tight. Steps is big, fat, and low with the riffage, and grooves hard – I love the harmony vocal. There is no widdly-flash-bastard soloing here, just superbly crafted pieces of modern metallic Prog goodness. A Sore Sight For Eyes is a beautiful piece with a perfect split of heavy and melody. Holy polyrhythms Batman!!! Milk Leg will have your brain scrambling for the abacus to keep time. Monster tune! The wonderfully named Harmonomicon is next, and is the most chill tune on the album. Back to monster riffage with Eventual, which does have a hint of Sabbath at the beginning. Blood From A Stone is all about the harmonies and melody. Close out track, The Way Down, is my favourite on the whole album. Lots of fat off time grooves and monster riffage to keep the toe tappin’ and the head a’ bangin’. The album that came after was perfect, and I love the way they keep growing and progressing as a band.

9.5/10 from The Grooveman.

U.K. – s/t

When all of Britain were going nuts for punk and ditching all that was melodic and musical, EG put out this masterpiece by an often overlooked classic Prog rock band. This was the best album U.K. put out – after this, the line up changed and so did the chemistry. The line up here is stellar with Alan Holdsworth on guitar, Bill Bruford on drums, John Wetton on bass and vocals, and Eddie Jonson on keys and weirdness. I’ve always loved John Wetton’s vocals – I think he has that tone for a Prog band.

The album kicks off in perfect Prog style with In The Dead Of Night, which is in three parts. The drum pattern is recognizable to Crimson fans as it’s the same as Elephant Talk, which would bring back Crimson from the dead with the amazing Discipline. It’s a very expansive piece with oodles of keys, weird drum patterns, and guitar – a Prog lovers wet dream. The Side 1 close out piece, Thirty Years, is a fantastic Prog workout with a killer drum groove by Bruford, and lots of widdly keys from Jobson. In fact, I would say that Jobson is the dominant force of the whole album as each track is very keys driven.

Alaska opens up Side 2 with another Jobson driven piece, before we get to Time To Kill – its the most up-tempo track on the album, and has a fusion vibe going on until the vocals kick in. The last two tracks, Nevermore, and Mental Medication, are the only tracks on the record that Holdsworth had a hand in writing – and it shows. Nevermore opens with an acoustic guitar, and the whole song is more guitar driven – some of the leads are breathtaking. Mental Medication is Prog widdle overload and doesn’t disappoint. It’s a shame it all imploded after this as they make great music.

8.5/10 from The Grooveman.