REVIEWS FROM MY VINYL COLLECTION

Day: June 18, 2021

ED WYNNE – Shimmer Into Nature

This album is freaking amazing!!! Ed Wynne is a co-founder of UK space hippies Ozric Tentacles, and Ed has played guitar and keys on every release by the band. It was a surprise in 2019 that Ed announced he was working on a solo record. Although this does feel like an Ozric’s album, there are a lot more guitar sections and a lot of programmed trippy trance like grooves, which Ed was responsible for bringing into the Ozrics.

There are only five tracks in total, the shortest being 7.44. Opening track, Glass Staircase, is a cracking opening tune an absolute instrumental delight. It has a very fusion vibe but with trance beats and grooves. There is so much going on under the surface of the main groove, that it takes repeated listens to pick up on all the intricacies. Travel Dust is a lot more chill and laid back and features lots of programming ambient sounds – at times it dives into a reggae dub groove. Oddiplonk is the last track on Side 1 and is a total spaced out piece with layered guitar soaked in all sorts of effects wizardry over the top of trance like rhythms.

Shim kicks off Side 2 with a trance club groove and Ed’s echo shimmering guitar licks that lead into some superb guitar playing. Ed is seriously underrated and I’m glad to say he is working on a second solo album as I write this. Wherble closes out the album and is a combination of all the sounds and grooves so far in one 10 minute epic. Ed has all of the tools and is a killer player. He respects the music totally and does not shred for shreds sake, he just plays what is needed. A must have in my opinion.

10/10 from The Grooveman.

AEROSMITH – Live Bootleg

When checking the exact release date of this release, I was amazed to discover how many kick ass live albums were put out in this year. As well as this there was Ted Nugent – Double Live Gonzo, Thin Lizzy – Live And Dangerous, AC/DC – If You Want Blood, and Scorpions – Tokyo Tapes – to name a few! Unlike all of those records that have either been enhanced afterwards with lots of overdubs in the studio, or completely laid down in a studio, this album (as the title suggests) is completely Live and is a total mess. Not in a bad way, you have to understand it’s just the way Aerosmith were in the seventies.

Every song seems to have been recorded at a different show, either a huge enormo-dome show or small little club shows or theaters, and it seems to have been sequenced in a random order. The band’s performances range from the amazing, to completely sloppy – and I love this album for that alone. The band’s love for chemical enhancements is well documented, and there are songs like Last Child where Tyler sounds as though he is completely off his face. Then there are killer moments like Lord Of The Flies which is superb ,and Come Together which is one of the best versions I have heard of this song.

Up until Permanent Vacation, the band was on its knees, and with the help of outside writers they made it to mega status. But there is something about the band at this time that I love – they were just a killer rock n roll band. They have written some classic tunes before Love In An Elevator that people forget. Dream On, Sweet Emotion, Toys In The Attic, and Walk This Way are all hall of fame contenders – but that was a different band.

9/10 from The Grooveman.