REVIEWS FROM MY VINYL COLLECTION

Day: June 1, 2021

AKIRA – Tusk Of Jaguar

Most commonly know for being the guitarist in Loudness, this is Akira Takasaki’s first solo album from ’82. I have been fortunate enough to see Akira play a solo show, and he is an amazing player that can play all styles. This album is firmly in the rock/metal universe with occasional trips to what the hell was that.

First track and the title track is a good old metal romp with lots of Akira ripping guitar. Second track, Steal Away, starts with a “what the hell was that moment”, before we enter Prog territory (reminds me of Yes), then a quick switch and it sounds like Blackmore era Deep Purple. The vocals are well dodgy, but luckily the guitar playing is exceptional. Macula is next up and starts with weird space noises that flow into a slow Brian May style traditional arrangement. Side 1 close out track, Ebony Eyes, sees a return to more familiar metal territory – but again – in true Uli Roth style, the vocals are pretty bad.

Side 2 starts off with the weirdest of instrumental duets with violin and guitar – it’s pretty pointless other than novelty value. Gunshots is next and is a fusion/metal crossover, and if there was more of this on the album I would be a happy bunny. A funky Mid Day Hunter is next and is an ok piece, but it feels as though it’s just a backing track for Akira to noodle. Show Me Something Good is the penultimate track and is just a bog standard plod rock track but with the not-so-good vocal. Last track Say What? closes out the album and is the best piece on the record with the best groove and playing.

The album has its moments but ultimately it’s not that great. His later albums are pretty good albums but this…meh!!!

6/10 from The Grooveman.

OUR OCEANS – While Time Disappears

I’ll admit to not knowing a whole bunch about these Prog metallers from the Netherlands, other than there are ex-members of Cynic and Pestilence in the band. I was totally blown away when I first heard this as I was not expecting the depth and beauty of the songs. Couple that with some amazing playing – this is one of my surprise finds of recent times.

The album begins with the epic Unravel which showcases the amazing talents of the band. Great playing, fantastic arrangements with crystal clear production, and some interesting chord and key changes – ladies and germs, we are on to a winner. Second track, Weeping Lead, reminds me of Radiohead at the beginning until the track opens out into another epic prog-tastic experience. Tymon Kruidenier’s vocals are sublime, and the feeling and emotion he puts into each piece is a joy to behold. The Hearts Whisper has a hint of Steven Wilson and a very singer/songwriter vibe at the beginning – until the power comes – and Tymon’s voice explodes with power and range. Motherly Flame starts with a slow off-time groove with picked chords and a very melancholy vibe – this is as good as modern Prog gets with an amazing middle section. Side 1 closes out with Passing By and it is a slow, very melancholic piece with bare instrumentation, and a very emotive vocal – until the switch gets flicked and the tune explodes and all emotions are laid bare. Such feeling in this genre is hard to express, but these guys do it so well.

Side 2 starts with the off-time up-tempo burst of Face Them – this will have the drummers amongst us working out what time the song is in. It sounds as though there are three songs being played at once – lots of dissonant guitar tones as well. Fantastic song! Your Night, My Dawn follows and starts with a great drum pattern with a very Muse style vibe with killer harmonies – this is one of my favourites on the album. You Take is one of the best love songs I have ever heard – it’s not your usual syrupy-schmoo. It feels as though it is written from the point of view of a stalker. Dark indeed! With Hands Torn Open closes out the album and what an epic groove to start proceedings…until the crunch of the opening chords and the off time beats are messing with your head again. Soaring vocals and melodies ensue, with the occasional chunk of heaviness interspersed with some monster playing. I love surprises and this was a great one. This is an album that keeps on giving.

9.5/10 from The Grooveman.