REVIEWS FROM MY VINYL COLLECTION

Day: February 27, 2021

MAGNUM – Kingdom of Madness

The very British sounding, Magnum, have been hanging around since ’72. They started out as a progressive rock band, as this album testifies to. They were playing everywhere and anywhere for six years before they got to record this record. Kingdom Of Madness was first was released in ’78, and it wasn’t until ’82 when the British rock press started to take notice. Early reviews had singer Bob Catley being mentioned in the same breath as Freddie Mercury – so no pressure there then. They hardened up their sound with the second album, and the live album, Marauder, as they were released when NWOBHM hit and the band rode that wave for a while.

In The Beginning is really good rocking rune with that progressive edge – whereas Baby Rock Me is more of a straightforward rock tune. Universe and the title track are more what you would expect from Magnum later on in their career. Side 2 opener, All That Is Real, is a full on pop masterpiece and very reminiscent of Styx. The Bringer is another good tune and Catley’s voice is really strong. Invasion sounds a bit like an Iron Maiden gallop – before Maiden invented them. Lords of Chaos is the best song on the album, and does remind me of classic Uriah Heep. The whole thing ends with All Come Together, which again has that Heepish vibe.

Not a bad beginning to one of Britain’s best loved bands, which have always had a cult like following.

7.5/10 from The Grooveman.

STYX – Kilroy Was Here

This was the band’s 11th studio release, and the last of their huge selling albums. After the release, the tour, and promotion, the band disappeared for seven years. When the band first started out, they were a progressive/pop rock band, but by the time this album was released, they had changed the sound to a pop rock outfit with their eyes on the singles chart.

To emphasize that point the opening track, Mr. Roboto, was a huge hit for the band. The concept around the album was based around the censorship of music, and was aimed at the group Majority for Musical Morality – a right wing Christian group. After the strong opening of Mr Roboto, the very poppy Cold War is next, before the uber ballad Don’t Let It End, which was another huge smash. High Time closes out Side 1, and is another full on pop song. In fact, this band sounds nothing like the band that started out in ’72.

Side 2 begins with Heavy Metal Poisoning, a rather sanitized rocker. Just Get Through The Night is next, and it really should belong on Broadway as it’s more of a show tune. Double Life, and Haven’t We Been Here Before just trundle on by, and the last song is just a reprise of Don’t Let It End.

This album is a million miles away from Pieces Of Eight, which is a classic album. When the band returned, it was without Dennis De Young, and after this album I’m not surprised. Mr Roboto is the best song on the album in my opinion.

6/10 from The Grooveman.