REVIEWS FROM MY VINYL COLLECTION

Day: February 26, 2021

PORCUPINE TREE – Metanoia

This album was the runt of the litter, as it was not released as a proper album. It was recorded as an improvisation as part of the Signify sessions. This is the original release on double 10 inch vinyl, and only 1000 were pressed. The CD that was released much later contains an extra 2 pieces.

I would have loved for this period of PT to have gone on longer, as I really love the experimentation with groove and sounds. They manipulated and twisted sounds to make them unrecognizable from what they originally were, and fit them into pieces that are accessible and with grooves. Very trippy and psychedelic in places and is a perfect album to put on and just chill. It reminds me of the Ozrics as this was their mantra as well, just play and see where we go – although I’m sure there is more structure to proceedings here. Mesmer, in it’s 3 parts, is just fantastic, and held together by the bass and drums. The idea that they are just winging it gives substance at the beginning of track 3 – as the talking between the band has been left in and is the most experimental piece here.

You will either love this or hate it, there is no middle ground. If you are new to Steven’s catalogue, and only took an interest since Raven, I can’t see there being anything of interest here. Anyway, I love the quirkiness of the piece, and that they just went in to see what happens is amazing.

9/10 from The Grooveman.

TRIUMPH – Thunder Seven

This is Triumph’s 7th studio outing, and you could say the last before their popularity started to drift off. Recorded at the legendary Metalworks Studio in Mississauga Ontario, which drummer Gil Moore now owns. Although still a studio, it’s now also a music college. Triumph were renowned for their live show and being a kick ass live act, even though when drummer Moore was taking lead vocal, it felt a bit strange as there was no focal point. Anyway, this album doesn’t disappoint as this does exactly what says on the tin and rocks hard.

Opening track, Spellbound, is a typical Triumph rockin’ track, but with more keyboards than previous efforts. Rock Out Roll On sees Rick Emmett take lead vocals with his higher range, and again is a typical Triumph rocker. Third track in Cool Down, has a very Zepplin driven heavy groove and is a killer tune. Side closer, Follow Your Heart was a single, and at the time, the band’s highest charting and was typical syrupy rock radio fodder of the time.

Over to Side 2 we go and Time Goes By, the album’s longest track, and the epic track that the band would always throw in on each album. Two throwaway short pieces are next before Killing Time, the power ballad you’ve all been waiting for rolls on by. Stranger On A Strange Land is very Van Halen-esque, and is my choice for best track on the album. Things come to a close with Little Boy Blues, and is a subdued close out track – not a bad tune as there is some nice playing by Emmett. I just think a more rocky track would have been better to end with.

Other than Rush, Triumph at the time were Canada’s biggest rock band.

8/10 from The Grooveman.