REVIEWS FROM MY VINYL COLLECTION

Day: January 9, 2021

DREAM THEATER – Black Clouds & Silver Linings

So here we have Dream Theater’s 10th studio album, and unbeknownst to everyone at the time, this would be Mike Portnoy’s last with the band. The band that he started at college, the band his father named, the band he near enough single handedly controlled he would no longer be part of. In my opinion DT have definitely missed his presence in the band as none of the albums they have released after have been up to their high standards.

So we kick things off with the absolutely epic (which DT song isn’t epic😜?) A Nightmare to Remember. Up there with the very bast DT songs. Great riffs, massive hooks, unreal solo sections and a fantastic melody – plus some unreal drumming from MP. Let me get my breath!!!!!

Next up the more straight (for DT) ahead Rites of Passage, quite Metallica-ish in places. Then we have another absolute monster, the final part of the 12 steps suite, The Shattered Fortress, which has documented MP’s battle with alcoholism. So that’s the 1st record done and only 3 songs in.

Record 2 starts with the obligatory ballad Wither and then into The Best Of Times, which MP had written about his father who was battling cancer at the time and ultimately would be taken by the disease. Final track, The Count Of Tuscany, takes up the whole of Side 4, and again in true DT style, is an absolute monster of a tune.

Hindsight being a wonderful thing, I can see why MP wanted the band to take a break after the touring cycle of this album as there was obviously a lot of personal turmoil in his life at the time. I’m sure you all know what Dream Theater are all about by now, and if you don’t own this album, the last great DT album, then you probably should.

9.5/10 from The Grooveman.

BRUCE DICKINSON – Skunkworks

Looking back, it was a really brave decision leaving Iron Maiden to go solo when he did. Grunge was in full flow and Metal was not flavour of the month.

Trivia time folks!!! Bruce was actually going to have this as the debut album by the band Skunkworks, but the label refused to release it under anything else other than his own name.

Skunkworks actually reflects the time it was recorded very well as it is very alternative sounding in a rocky way if that makes sense. This version is a 2017 remaster on double 180g vinyl and it sounds great, clear, and loud. The band that played on this release are mainly unknowns apart from ex Gun guitarist Alex Dickson.

Things start off nicely with the Space Race and into the single Back From the Edge, which sees Dickinson showing great variation in his vocal. Faith is a more straight ahead rocker. Solar Confinement is a really cool song with a cool chorus guitar, and then into the Nirvana-esque Dreamstate which is a very weak song. Then I Will Not Accept The Truth, also Nirvana-ish but with more balls. Inside The Machine which starts Side 3, is also giving a nod in Seattle’s direction but with more melody. Next track is Headswitch which is one of album’s best tracks with more than a hint of Soundgarden about it. Meltdown follows and then into Side 4 with slow paced Octavia. Then we have the rockier Innerspace, and finally Strange Death in Paradise which builds quite well and is a strong album closer.

Unfortunately Bruce has such a strong presence as a metal vocalist it’s very difficult for that voice to be used in anything else without sounding out of place. Not a bad album but…6/10 from The Grooveman.