REVIEWS FROM MY VINYL COLLECTION

Month: December 2020

MONUMENTS – Phronesis

Monuments! I have been following the history of these guys since the early days of the Djent movement when Browne and Misha from Periphery shared their ideas and grooves on the web. In fact, Browne played in Periphery for a while when Alex Bois left. The Periphery connection gets even more incestuous with Chris Barretto, who sings here, was the original Periphery vocalist before Spence. It seems as though Misha was right about him being awkward to work with as he is no longer the Monuments vocalist either.

Anyhoo, things kick off nicely with A.W.O.L with some heavy drop D and beyond grooves from Browne and Olly Steele. Barretto’s vocal style flips from really melodic cleans to outright screamo. Stygian Blue opens up Side 2 – brilliant – and carries on with more low end grooves interspersed with melody and screams from Barretto. Album closer The Watch is the stand out cut from the album, and sees the band going out with all guns blazing.

Even though Monuments were one of the early purveyors of the djent movement, they seemed to get left behind as they were late to release product. Whereas other bands in this genre have been changing and varying their sounds, Monuments have been true to their sound and progressed over the 3 albums. Phronesis being their best effort to date. Hopefully they carry on as they have had quite a bit of turmoil with band members leaving or getting injured. I think they are a real good band.

7/10 from The Grooveman.

THE ROLLING STONES – Sticky Fingers

It took me a long time to appreciate the Stones. I always found they were not as immediate as the Beatles say, who were a lot more melody orientated.

This is the 2015 Abbey Road remix and remaster, which contains a bonus disc with alternate takes of 5 songs and 4 live tracks from the Roundhouse in ’71.

Kicking off with the classic Brown Sugar this is the Stones at their very best. I think the addition of Mick Taylor made them the complete article. Followed by the excellent Sway and Wild Horses, which then leads into the Stones finest hour with Can You Hear Me Knocking. This has Muscle Shoals written all over it with the extended middle section which is as groovy has it gets. The track is made by Taylor’s guitar and the sax playing of Bobby Keys and Billy Preston’s organ. I never tire of this track. Side 2 doesn’t quite live up to the sheer brilliance of Side 1 but Bitch, Sister Morphine, and Moonlight Mile come close.

Sure the Stones had their moments after this, especially with Exile, but this was it for me. This has to be the ultimate version of this as the half speed mastering, the remix, and original production by Jimmy Miller make this a joy to listen to.

9/10 from The Grooveman.