THE GROOVEMAN'S COLLECTION

REVIEWS FROM MY VINYL COLLECTION

Month: November 2020 (Page 2 of 2)

GARY MOORE – Corridors of Power

November 19, 2020 /

The first thing that my British chums will notice is the different cover shot. This is a Canadian copy on the Mirage label. Other than the GForce project, this was Moore’s first foray into the hard rock market as a solo artist. His first solo outing Back on the Streets was more of a jam/fusion style like the Colosseum 2 project he was involved with.

Kicking things off with the rockin’ ballad Don’t Take Me For a Loser, this sets the tone for most of the record. Strong songs, good melodies, and killer guitar breaks. Later on in his blues phase, he said he hated this hard rock period and I have to say I am surprised to hear him say that as he was really good at it.

Side 2 bursts in with the incendiary End of the World, which showcases what Moore was all about at the time. Incredible showmanship on the guitar, in fact, this was his big show piece when played live on this tour.

Fun fact!!! I got to see Moore on this tour at Leeds University with freebies I got for winning tickets in a competition on Radio Aire at the time. You had to get a lady to phone into the station saying what they thought of Gary Moore. I managed to get my mother to phone in saying he had a face like a welders bench. Happy Days.

Anyway, this is great album by Moore and it gets a 8/10 from The Grooveman.

FRANKIE GOES TO HOLLYWOOD – Welcome to the Pleasuredome

November 1, 2020 /

I remember when this album first came out, and the singles as well, as there was a lot of controversy surrounding them – mainly due to the overtly sexual nature of the subject matter. Also what we suspected at the time, and now know, is that the the only member of the band that actually appears on the album is vocalist Holly Johnson. Trevor Horn the guy behind label ZTT, and producer of this album, wrote most of the music and played keyboards and bass. Members of Yes, who Horn was working with at the time, were heavily involved, namely Trevor Rabin and Steve Howe as well.

Two massive worldwide hits are on the record namely Relax and Two Tribes. The whole record is disco/club driven and very of its time. The production is amazing throughout as you would expect from Trevor Horn. As with a lot of concepts albums, it does tend to wander at times, but the overall feel of the album is epic. It does make you wonder how much of this was written before Horn found the band and was adapted around them.

It’s been a long time since I’ve heard this and I found it very enjoyable to listen to after all this time.

7/10 from The Grooveman.

TED NUGENT – Free-For-All

November 1, 2020 /

Back we go to 1976 to find Ted Nugent on his rise up the ladder.

Kicking things off with the title track, Ted sets the tone for the rest of the record with a good mid-paced rocker. This kicks into the excellent Dog Eat Dog with Derek St Holmes on vocals. Then followed by a slower groovier track with an early appearance on record by Meat Loaf. This is followed by the sides close out track, Turn it Up, which is probably the best track on the album. A great fast paced rocker which doesn’t fail to please.

Side 2 can’t keep up with Side 1, but the great I Love You So I Told You a Lie more than makes up for this. As with all Nugent albums it’s all about the guitar, and at this point in his career, Ted could make that bird land sing. The humour was a big part of Ted’s act at this time, which I don’t mind, it was the loud mouth douchbaggery that turned me off Uncle Ted as it took over the music as the quality of the albums started to wane.

7/10 from The Grooveman.

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