REVIEWS FROM MY VINYL COLLECTION

Day: November 1, 2020

FRANKIE GOES TO HOLLYWOOD – Welcome to the Pleasuredome

I remember when this album first came out, and the singles as well, as there was a lot of controversy surrounding them – mainly due to the overtly sexual nature of the subject matter. Also what we suspected at the time, and now know, is that the the only member of the band that actually appears on the album is vocalist Holly Johnson. Trevor Horn the guy behind label ZTT, and producer of this album, wrote most of the music and played keyboards and bass. Members of Yes, who Horn was working with at the time, were heavily involved, namely Trevor Rabin and Steve Howe as well.

Two massive worldwide hits are on the record namely Relax and Two Tribes. The whole record is disco/club driven and very of its time. The production is amazing throughout as you would expect from Trevor Horn. As with a lot of concepts albums, it does tend to wander at times, but the overall feel of the album is epic. It does make you wonder how much of this was written before Horn found the band and was adapted around them.

It’s been a long time since I’ve heard this and I found it very enjoyable to listen to after all this time.

7/10 from The Grooveman.

TED NUGENT – Free-For-All

Back we go to 1976 to find Ted Nugent on his rise up the ladder.

Kicking things off with the title track, Ted sets the tone for the rest of the record with a good mid-paced rocker. This kicks into the excellent Dog Eat Dog with Derek St Holmes on vocals. Then followed by a slower groovier track with an early appearance on record by Meat Loaf. This is followed by the sides close out track, Turn it Up, which is probably the best track on the album. A great fast paced rocker which doesn’t fail to please.

Side 2 can’t keep up with Side 1, but the great I Love You So I Told You a Lie more than makes up for this. As with all Nugent albums it’s all about the guitar, and at this point in his career, Ted could make that bird land sing. The humour was a big part of Ted’s act at this time, which I don’t mind, it was the loud mouth douchbaggery that turned me off Uncle Ted as it took over the music as the quality of the albums started to wane.

7/10 from The Grooveman.