REVIEWS FROM MY VINYL COLLECTION

Tag: music review (Page 446 of 485)

THE ANCHORESS – The Art Of Losing

I have deliberately held off from listening to any of the lead off tracks that were released as promo for the album, as I wanted to listen to the whole piece – as was intended by Catherine. I’m very old school, and still believe that the album is a piece of art and should be drooled and dissected to absorb every inch.

For those who don’t know, The Anchoress is the alter-ego of Welsh singer, songwriter, multi instrumentalist, producer, author and all round super talent, Catherine Anne Davies. The album itself deals with the subject of grief, loss and pain. Catherine went through the loss of her father, she was treated for cervical cancer, and also had miscarriages and other surgeries all in the space of her last release, Confessions Of A Romance Novelist and the recording of this masterpiece.

Now don’t go running and think that this is a totally depressing album, because it’s not. Sure, you will go through all of the emotions and indeed on the track 5am you will probably be in tears, but by the end you will feel euphoric and feel as though you have been on a journey and that there is always hope. The music is very upbeat and the production is amazing. Every breath and croak in her voice is super clear, and it’s as though you were sat next to her while she was recording. There are also a couple of guest appearances, James Dean Bradfield guests on the track The Exchange where he duets with Catherine, and Show Your Face where he straps on the guitar. Bowie drummer, Sterling Campbell, drums on a couple of tracks also.

Hopefully live gigs will commence at some point towards the end of the year, as I would really love to see these songs performed live. I very much doubt there will be a better album released this year, and if you like to be moved emotionally by your musical choices, then please add this masterpiece into your life.

10/10 from The Grooveman.

AMERICAN TEARS – Powerhouse

Mark Mangold the nearly-man of the AOR soft rock scene. Some of you may know him from the band Touch, whose claim to fame was that they opened the first Monsters Of Rock at Donnington Park. This is what he was doing before then. This was the last release of this period and it came out in 1977. They would resurface many years later with an album called White Flags on British label Escape Music. It’s very easy to see why they never made any headway, as it’s OK, but there is that missing ingredient that every band needs for success – and that’s good songs. It’s not that it’s a bad album – it’s just ok. It’s amazing how much effort record labels put into bands thinking they would get some sort of return for their investment. It took CBS 3 albums before realizing that American Tears were not going to make it.

5/10 from The Grooveman.

GARY CLARK JR – The Story Of Sonny Boy Slim

This is Gary Clark Jr’s second full album release. He blends a traditional blues style with elements of R&B, soul, rock and modern urban sounds. Not only is he a great guitar player, Gary has an amazing soulful voice. A killer live performer as he breaths a whole new life into what are already exceptional tunes. At times it has that old school early 70’s soul vibe, and then in a blink of an eye we are in Delta blues territory.

The opening track, The Healing, is such a deep meaningful tune with a great groove. Grinder has a really laid back vibe, before Star takes me back to old soul records of old – as does Our Love. Church has a very gospel feel to it with some killer vocals and harmonies. As everybody of a certain age keeps mentioning “they don’t make albums like this anymore” – well actually, they do, as this album testifies to. It’s great when new and young musicians take references from the past and make them there own. The hip hop groves of Wings is a great tune. Can’t Sleep was the single that brought him into the eye of the mainstream – it is a great song.

If you were thinking about trying some Gary Clark this is a good place to start, and if we ever get back to live shows, then for sure go and see him.

8.5/10 from The Grooveman.

INTRONAUT – The Direction Of Last Things

This is another one of those album where there are not enough superlatives in the dictionary to bestow on such greatness. It’s very hard to pigeonhole these guys as there is so much happening in the space of one song – never mind a whole album. I will call them tech-metallers with a hint of jazz and Prog. I think that covers most bases. With two killer guitarists, an amazing bass player, and an alien for a drummer – they will no doubt give extreme sounds of awesomeness.

Fast Worms is first up, and within the space of the first 8 bars I am in awe of their heaviness. So many twists and turns within the confines of one tune. Amazing! Digital Gerrymandering is next up, and it is another epic tune. It has lots of off time drum grooves and maximum riffage before the killer instrumental section just blows your mind – with maximum groove and riffs a plenty. The supreme groovy heaviness of The Pleasant Surprise follows, and is again another brain mash of a tune. Even when they take the pace down a notch with The Unlikely Event Of A Water Landing, the awesomeness does not let up. The monster Sol Ponticello crunches your brain with maximum effect – another great tune with lots of changes and big chuggas. The title track is next up and announces its arrival with supreme heaviness that grooves hard. The middle eight and breakdown really slows things down with the groove still intact before the heavy returns. Last track, City Hymnal is here oh so quick and is an epic ending to a truly great album.

I know death metal is fun when you are twelve, but when that wears thin you need something that is going to keep you enthralled and entertained for more than five minutes. This is another in the series of everyone should own one. It gets 10/10 from The Grooveman for just existing, another10/10 for the cover, and 10,000/10 for the musical content within the grooves.

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