REVIEWS FROM MY VINYL COLLECTION

Tag: music review (Page 447 of 493)

ANNIHILATOR – Alice In Hell

The first time I heard of the band was either in an edition of Kerrrap magazine, or on an episode of Headbangers Ball – or both – who knows? They were formed in my adopted home city of Ottawa in ’84, and it wasn’t until the recording of this album that the line up had stabilized somewhat. Fun fact – they are the most successful thrash group in Canadian history, having sold over three million albums! Although this sounds like a band, it’s just a vehicle for guitarist extraordinaire Jeff Waters to show his talents. Not only a great guitar player, but he writes a mean tune as well.

After the nice acoustic intro of Crystal Ann, we are introduced to the title track and what a blistering track it is. A great riff, thundering beat, and a cool chorus. This should keep you bouncing rounded the house until you play the next track, W.T.Y.D., which funnily enough, keeps the double kick seriously moving. It’s marked down as thrash, but it’s definitely speed metal in my book. The pace and riffs carry on into the awesome next track, Wicked Mystic. This track has a killer middle section. By now the dandruff should be loose and a neck brace required. Burns Like A Buzzsaw Blade is the last track on Side 1, and again, the pace does not drop and could be the most aggressive track yet.

Over to Side 2 we go with Word Salad, a more traditional paced metal song with a killer riff – until the pedals go to the metal and away we go again. The pace goes even faster on Schizo’s – it’s as though they have had the handbrake on until now. A very Metallica sounding Ligea is next, and is candidate for best track on the album. It goes from standard chuggas to super speed in a flick of a drumstick. So we get to the final track, Human Insecticide, and it’s as though we have to be home by ten, the pace is relentless.

I will change my mind about saying this was a speed metal album, this is most definitely a THRASH album and a bloody good one at that.

9/10 from The Grooveman.

THE SENSATIONAL ALEX HARVEY BAND – SAHB Stories

I’ll admit to The Harvey’s being one of my favourite bands since I was at school. Having their logo emblazoned on my school bag. They were formed in Glasgow in ’72 by bringing Alex together with the hard rocking band Tear Gas. It was a mix of theater and killer tunes. They were always painting pictures with the stories that were told. They were insultingly compared to Alice Cooper, as the journo’s could not pin them down, and he was the nearest visually to what they were doing.

Starting off with the excellent Dance To Your Daddy, then things move up a few gears with one of my favourite SAHB tunes, Amos Moses. Killer riff and epic groove, and Zal letting loose on the guitar. Worth the price of admission alone kiddies! Jungle Rub Out is next, and in typical SAHB fashion, we take a little left turn musically where Alex is doing his best lounge lizard impression before the heavy chorus kicks in. Side 1 ends with Sirocco, the most unusual track on the album, a slow middle eastern meets blues/jazz crossover.

Side 2 begins with the one SAHB track that everyone should have heard of, Boston Tea Party. Top 20 in the charts, and rightly so – it is a great track. It wasn’t their highest single chart placing – that would be a cover of Delilah. Sultans Choice is next up and a great riff from Zal announces its arrival. It’s just an old rock n roll tune updated somewhat. The rock funk of 25$ For A Massage slides on in, and is another killer tune with a great groove. The last track on the album would also be the heaviest track the band would put on record – the fantastic Dogs Of War. What an end to the album! That huge riff and the lyric about mercenaries.

Released in ’76, it still holds up well and I still play it often.

9/10 from The Grooveman.

EARTHSHAKER – Fugitive

Out of the three big Japanese rock/metal bands of the 80’s, Earthshaker were the least well known behind Loudness and Bow Wow. The band were formed in ’78 and this is their second album, and the copy I have is on Music For Nations. Weirdly enough, even though the song titles are written in English (apart from the opening track), they are sung in Japanese. This does take away from the vibe for me as it’s really hard to sing along and get to know the tracks.

The songs are pretty basic and not setting the world alight, and the production is a bit flat. Musically, in places, it’s in the NWOBHM style and I can see why MFN signed them. In quieter moments, they are very AOR before it became fashionable. The stand out track for me is Drive Me Crazy, which is a fairly standard up tempo rocker but outshines anything else on the record. The best I can say is it’s an ok album.

6/10 from The Grooveman.

BEN HARPER & THE INNOCENT CRIMINALS – Call It What It Is

Ben Harper, for those who don’t know, is a singer-songwriter, multi-instrumentalist, and multi- collaborator. This is his third album with the Innocent Criminals. I don’t like the term “Americana”, but this would be where the album firmly lies. A good mix of blues, reggae, folk, and a little Rock, make this album very diverse and eclectic.

Opening number, When Sex Was Dirty, is a fun up-tempo track. Deeper And Deeper is a typical American folk rock tune. Call It What It Is is deep in blues territory and is very heavy subject matter – dealing with police violence and racism. How Dark Is Gone has a very Latin feel, and carries on the dark lyrical theme. Shine starts with a Fender Rhodes intro before dropping into an off-groove reggae vibe – a really cool tune. All That Has Grown is an acoustic delta blues short piece to close out Side 1.

Pink Balloon brings us back to rock territory and possibly the grooviest tune on the whole album. Other than old country, the other genre I don’t like too much is reggae – so the next track, Finding Our Way, is my least favourite on the record. Bones has an old school RnB vibe in the Marvin Gaye tradition. Dance Like Fire is firmly in the folk/country vein, and last track Goodbye To You is a sad ending to the album as it deals with loss.

Sometimes music should do more than just entertain, and this album tries to educate those who are blind to what’s around them.

7.5/10 from The Grooveman.

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