REVIEWS FROM MY VINYL COLLECTION

Category: Vinyl Reviews (Page 469 of 492)

ANIMALS AS LEADERS – s/t

Although now Animals As Leaders are a band, when this album came out it they were basically a solo project that was instigated by Prosthetic Records after the demise of Tosin’s previous band, Reflux. All songs were written by Tosin and Periphery main man Misha Mansoor. Tosin plays most of the guitar and bass tracks on the album, and Misha programs the drums and adds a couple of solos and effects. The rest of the band now comprises of Abasi and Javier Reyes on 8 string guitars, and Matt Garstka on the old pots and pans.

If challenging metal djentyness is your thing, then you will love this. I had never heard of the band until I heard Misha mention Tosin in some online article and I bought the album after reading that interview. No straight ahead 4-4 time signatures here I’m afraid. Lots of odd time grooves and incredible playing. Abasai is a guitar hero for a new age. The tunes are well thought out and are not all one paced. Each tune has its peaks and troughs, and takes the listener on a musical roller coaster of a ride, from out and out metal goodness and djent a plenty, to laid back chill vibes.

There are plenty of high points that’s for sure. From opener Tempting Tides, which is killer, then onto On Impulse with its choppy groove. Everyone’s favourite djent tune Cafo, which should get everyone bouncing with it’s serious low end groove and incendiary guitar. Modern Meat with its acoustic jazz vibe is a beautiful piece. I could go on but every tune is an adventure for the listener. An epic album indeed.

The opportunity’s given to Abasi by adopting the eight string guitar have obviously expanded the range of things he can do. I love this album as it opened the door to me for a whole type of music that otherwise would have passed me by. This should be 10/10 album, but it loses half a mark for the production, which is a bit mushy in places.

9.5/10 from The Grooveman.

YES – Close To The Edge

This is actually part of the Steven Wilson remix box set that the randomizer threw up for today’s review, and I didn’t want to review them all at once so this one is first out. You may notice this has a different cover than what you are used to seeing, and was exclusive to this box set. This was the first Yes album I discovered way back in the mists of time, and Yes are another band that the term Prog was made for.

This album has only three songs on Side 1, as the title track is split into three parts, and Side 2 is And You And I in 4 parts plus Siberian Khatru. Classic Yes line up of Anderson, Buford, Howe, Squire and Wakeman. Definitely my favourite album of this period of Yes before they went more commercial with 90125.

The title track is a Prog fans wet dream, it has everything you would expect and a lot more. Lots of rambling synths, lost of weird lyrics, great vocal harmonies, and almost jazz in places. My only gripe would be is that Steve Howe’s guitar sounds awful. Just a bad sound to my ears, but that’s just me.

Side 2 begins with lots of fannying about from Howe with harmonics before the track kicks in proper. I’ve always loved this song, it’s one of their best from this era. Last up is the rambling Siberian Khatru, another Prog classic of the period. Again everything and the kitchen sink is used to create the full Prog experience. Other than the quality musicianship it’s the vocal harmonies the made Yes stand out from the crowd.

8/10 from The Grooveman.

CARAVAN – Cunning Stunts

I see what you did there! Cunning Stunts indeed. When the term Prog is uttered in musical discussions far and wide, this is what you automatically think of. The Canterbury sound was a quintessential part of the Prog movement with bands like Gong, Soft Machine, and Caravan themselves. I heard the word twee used when talking about Caravan, and that is a bit harsh as they are lot more than that. Led by the incomparable Pye Hastings on vocals and guitar, they never quite reached the heights that were expected of them. Even so, Cunning Stunts is a fine representation of what they were all about.

Side 1 is basically six differing songs, and the whole of Side 2 is the Dabsong Conshirtoe split into 6 parts. The Show Of Our Lives starts off the album and is a pleasant ramble through the English countryside, at least that’s how it feels . Stuck In A Hole and Lover casually saunter past and are very relaxing. Welcome The Day reminds me of Pink Floyd and is a decent tune and side closer. The Fear And Loathing In Tollington Park Rag is almost funky, which is quite unexpected as it differs greatly from everything else on offer here. Over to Side 2 to the aforementioned epic that takes up the whole side, and is a grandiose piece that you would expect from a band of this ilk. Lots of synths, brass section, weird lyrics and heavier sections slotted in to create atmos.

Not a bad album, and fans of this era of Prog would probably lap it up.

6.5/10 from The Grooveman.

RUSH – Permanent Waves

I’ll admit to not being the world’s biggest Rush fan, but I do recognize they had a period where the quality of their tunes was top notch and this album is prime period Rush. Along with Hemispheres and Moving Pictures, for me, was Rush at their peak. All three are great musicians but the master of them all, Neal Peart. was at the peak of his profession and he wrote seriously interesting lyrics.

What a way to start an album off with Spirit of Radio, which ended up being your most well known song around the world. At the time this was about as close as Rush would come to commercial success. Freewill follows, and this is more of what I expect from them, a more progressive tune with lots of instrumental sections and some serious over playing. The one thing about Rush is that you can always recognize the sound. Whether it be Lifeson’s guitar, Peart’s drumming, or more obviously Geddy’s vocal, they are instantly recognizable. Side closer the epic Jacobs Ladder, has all of the trade mark Rush ingredients, cool time and key changes, and a big instrumental section. Over on the flip side, and Entre Nous, which by Rush’s standards is a normal song. Different Strings is the slow track on the album before we get to album closer Natural Science with its 9 minute progressive workout.

There are sections in this that Dream Theater have lifted to use on their own songs. The albums they record are definitely of their time, as the effects and instruments they used date them, especially on this and Grace Under Pressure being the other one that springs to mind. Anyhoo you may be thinking I don’t like this all that much, but I do, and I appreciate them as artists.

8/10 from The Grooveman.

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