REVIEWS FROM MY VINYL COLLECTION

Category: Vinyl Reviews (Page 468 of 492)

METALLICA – Hardwired…To Self Destruct

The band that everyone loves to moan at. Not sure why, as they know their limitations and basically they do what it says on the tin.

This is the RSD version on red vinyl. This is definitely a return to form after the very disappointing St Anger and the poorly produced Death Magnetic, even though the songs were really good on that album. I personally think this album sits really well with the classic albums, and would have been a natural successor to And Justice. This is their 10th studio album, and the first for 8 years mainly due to the ongoing issues with James’ health and addictions. The haters can do one for all I care as this is a killer album. For those of you who are used to listening to this album on CD, the running order is slightly different so they can squeeze the tracks on the vinyl.

Opener and the title track is classic Metallica huge riffs fat guitars and plenty of chugga chugga. Atlas Rise, another monster tune and was the first single. By this time you should be bouncing round the house. Now That Your Dead is a slightly more experimental song, and a slower pace, but still a monster tune.

Over to Side 2 we go and the other single, Moth Into Flame, is ripping it up with some fast fat riffage and loading up on the chugga’s. James’ vocals are stronger than he has ever done. In fact, the whole band are smokin’. I still don’t like Kirk’s lead sound though. I think it’s too thin and too much wah wah, but that’s just me. Am I Savage is next and slows the pace right down at the intro before exploding into a slow grind. Disc 1 closes with Halo On Fire, which starts slow, and is what Metallica dish up for a ballad – with a great melodic vocal from James before reverting to big chugga’s at the middle section.

Onto Disc 2 we go and Confusion announces its arrival with staccato drums and matching fat guitars and chugga chugga’s a plenty. Dream No More with its monster Sabbath style riff is next – a huge sounding tune. ManUNkind ends Side 3, with a slow bass and guitar sequence before it gets all Metallica with a huge catchy riff and groove.

Flipping over to Side 4 with Here Comes Revenge, and there’s no let up in the quality of the songs – another huge tune. Murder One is next and it’s a fitting tribute to Lemmy with an evil riff. In the blink of an eye, the last song Spit Out The Bone is upon us, and its the song with a nod back to the early days as it’s pure old school thrash.

So don’t believe the haters, Metallica are far from finished and I really enjoyed it.

9/10 from The Grooveman.

JAMES MONTGOMERY BAND – High Roller

Ahh Capricorn Records, everyone’s favourite Southern Rock label. Just about every one involved with the genre has passed through their doors at some point. I am attracted to most bands on this label, as guitars were always high on the list of priorities for them. So when I found this in a sale bin and saw the label, I took a punt. Unfortunately for me, this is one that maybe passed the label quality department.

It’s not bad, it’s just average country/rock with dabs of funk thrown in for variety. Listen to opener Shot Down Love and Love Is A Thing on Side 1 to see what I mean. Schoolin’ Them Dice with its standard blues shuffle is an ok tune, done way better by The Allmans. Turning the beast over does not improve things that much as the songs are just not strong enough. The playing is fine, you can only work with what you have. The best song is saved to last with the boogie of Ten Page Letter, which is a fun tune. This is one of those bands that if you saw them in a roadhouse deep down south on a Saturday night when your smashed on JD, you would probably love them.

5/10 from The Grooveman.

STEVEN WILSON – Hand Cannot Erase

!WARNING! This is in my top ten records EVER!!! Prepare for a gushing review.

This is SW’s 7,000,000th release across a myriad of projects, but technically it’s his 4th studio release as a solo artist. The concept and idea behind this album is pretty amazing. There was a lady called Joyce Carol Vincent whose body was found in her apartment badly decomposed. She had been laying there for over two years. I know what your thinking, she was an old lady that was alone, but no, she was a 35 year old women with family and friends. The album uses this as inspiration and is told from the female perspective.

There is not one second on this album that I do not love. Everything from the writing, production, playing and the art is just amazing. The songs have so much depth and emotion put into them. This was also the best line up he had with him. Guthrie Govan, Marco Minneman, Nick Beggs and Adam Holzman is a killer line up of muso’s, and they give everything to the songs. Guthrie’s contribution on Home Invasion/Regret#9 is worth buying the album alone. Incredible playing! Marco brought so much to the table here. Each song was given that little something extra that I’m not sure your average drummer could have done.

Listen to the whole piece from the beginning and I can guarantee that when you get to Happy Returns you will be in tears. Such a beautiful piece. I know there have been 2 albums released after this masterpiece, and they are both good in their own way, but put them along side this, and they have big shoes to fill. The surround sound version of this is incredible, and if you are lucky enough to have the deluxe box set, the artwork and detail is incredible. If you are somewhat unsure of where to dive into SW’s vast catalogue then you should jump in here. I guarantee you will be blown away by the sheer quality of this album.

10/10 from The Grooveman.

RIVAL SONS – Hollow Bones

Way before Greta Van Scrote appeared from nowhere with their Led Zep plagiarism, Rival Sons had been doing the retro vibe since 2008. This is their 5th studio album, and sees them exploring more sounds from days gone by, but with a modern edge.

The title track is a great opening, with its 60’s vibe leading into the killer Tied Up, which has an almost soul vibe mixed in with their unique rock stylings. Lots of use of the fuzz pedal gives the feeling as though we are in 1970 as the intro to Thundering Voices kicks in. Have to mention the great production by Dave Cobb that really brings out the all the nuances in the songs. Baby Boy has a serious blues vibe with an awesome vocal from Jay Buchanan. Side closer Pretty Face should have been a single, as the chorus is a total earworm.

Flipping over onto Side 2, Fade Out announces its arrival with a killer vocal and a true power ballad vibe with some great slide playing and a big rock ending. The Ike and Tina Turner classic Black Coffee is next, and was released as a single – you need some very large plums to be able to carry that off. Have to say it’s a great cover and a vocal that does justice to the original. Hollow Bones Pt2 is next, and is my favourite on the album. Love the intro with the spacey guitar and quiet vocal, which blows into the big riff and with echoes of Zeppelin alive on this one. The album comes to an end with All That I Want with an acoustic piece which showcases how amazing Jay Buchanan’s voice is. His vibrato reminds me of Beth Hart.

What a great record that was! They remind you of everybody and yet nobody, as they borrow from the past but make it their own.

9/10 from The Grooveman.

« Older posts Newer posts »