I remember buying this album when it first came out and feeling a tad disappointed. Following Restless & Wild and Balls To The Wall, which were both great records, this album felt as though it was just plodding along. Were they trying to be too commercial? I think so.

Tracks like Midnight Mover and Up To The Limit just come across as trying to be a Judas Priest-lite. Too High To Get It Right even sounds like AC/DC, and you’d be forgiven for thinking that the intro to Living For Tonite was the Scorpions (well, the album was produced by Dieter Dierks). There are a couple of old school speedy tracks like Wrong Is Right and my favourite Teach Us To Survive, which is at least pushing the envelope and being a little different.

It’s not that it’s a bad album, it’s just that you can tell the record company was squeezing the band for hits.

7/10 from The Grooveman.