REVIEWS FROM MY VINYL COLLECTION

Day: December 24, 2022

CHIMP SPANNER – At The Dreams Edge

This is the second album from Chimp Spanner, otherwise known as Paul Ortiz, and was released on the UK label Basick Records in 2013. Paul recorded and played all instruments and did all programming himself. If technical progressive metal music is your thang, then you will love this.

A weird little intro gives way to opening monster track Supererogation. Killer grooves and beats over which Paul plays some epic guitar. Title track, At The Dreams Edge gives me that Satriani vibe with loads of guitar melody. The Mirror has deep djenty grooves and riffs. The middle section just slays with epic riffs and programmed grooves. Bar Code starts like a Super Mario game before epic djenty riffage takes over. Killer track! Blast beats aplenty start up the track Harvey Wallbanger, then some old school thrash riffage assaults your ears, it’s my favourite track. I love the short Ghosts Of The Golden City with lots of swells and ambient noises. Far From Home is quite an eerie vibe and guitar pattern that repeats until a third from the end before maximum heavy grooves ensue.

Terminus is in three parts and part one is very Blade Runner. Part two however is way more brutal with lots of dissonance added, and I love the heavy low end grooves towards the end. Part three is back to Blade Runner with added heavy grooves. Under One Sky has such a beautiful guitar melody over some serious heaviness. The album closes out with All Good Things, an ambient piece that very slowly fades into the ether.

A killer album that I play a lot. Paul isn’t the most prolific of people but he has released a couple of tracks recently over on his bandcamp page. Go check him out!!!

10/10 from The Grooveman.

GLENN HUGHES – The Way It Is

Will the real Glenn Hughes please stand up. Glenn has covered being part of a group, a solo artist, and just about every musical style imaginable. He has such an amazing and powerful voice that he could sing the phone book and it would sound amazing. He just goes through the gears so quickly from the most delicate soft sounding to full on rock god in a blink of an eye, such control. To me when that funk groove is present that’s when Glenn really shines. The Hughes/Thrall album he did with Pat Thrall is one of my all time favourites, that is the real Glenn Hughes. This album is very close to that one.

The title track gets things going and with a super slick smooth groove that doesn’t stretch Glenn too much. Next up is You Kill Me with guest guitarist Stevie Salas who also co- wrote the tune. As you would expect, this is a full on funk rock beast. Never after is very much in the style of Hughes original band Trapeze. Rain On Me starts with a classic Hendrix sounding riff and groove, and Glenn’s vocal is so good. Curse is Glenn showing just what control he has over his voice with a slow R’n’B groove. Talking of Hendrix, next up is a cover of Freedom, a near enough note for note version. The Truth Will Set Me Free has a killer uptempo groove agin with tan funk under current.

It’s favourite track time. Stoned In The Temple is just awesome. A major funk rock groove with a monster hook and chorus, one of the best tracks Glenn has done. Too Far Gone is as close as Glenn gets to AOR. Back to the funk with Second Son, a superb riff and groove, this is what he does best. Take You Down follows and is almost a Steely Dan tune, a very smooth slick tune. The album closes out with Don’t Look Away and it’s the big vocal monster on the album with Glenn dropping all the notes. Of course Glenn is now in The Dead Daisies doing the big rock thing again, but it’s the funk that’s his true home.

9/10 from The Grooveman.