REVIEWS FROM MY VINYL COLLECTION

Day: December 12, 2022

ECLIPSE – Bleed And Scream

This is the band’s fourth album, released back in 2012, and it is one of their best. They are without doubt, one of the best melodic rock bands around today, giving that right amount of crunch to add to the superb melodies. Erik Martensson is a genius and really knows how to write a tune, and with his main partner in crime Magnus Henriksson, they have created their own sound.

The opening track Wake Me Up really is a statement track. The main riff hits you straight away and coupled with that killer groove, it is one of best opening tracks you could wish for. The title track follows and again the main riff is killer, as is the hook and chorus. This band should be huge! Ain’t Dead Yet starts with double heavy chugga guitars and double kicks that any metal band would be proud of. Add to that the superb melodic vocal and melody, it’s a killer crossover tune. Battlegrounds starts with a powerful riff and groove, and the hook and chorus are huge. A Bitter Taste is a power ballad with the emphasis on the power, the middle section is epic with some killer guitar. Falling Down closes out Side 1, it has a big riff, big groove, and big everything else. Great track.

Side 2 kicks off with S.O.S and again, we have a very metal opening coupled with the melody of the vocal. Take Back The Fear just smokes and is my favourite track. It is the fastest song on the album, but there is no sacrifice of the melody as the hook and chorus are epic. The Unspoken Heroes follows and the quality keeps on coming. It has a riff that reminds me a tad of Thin Lizzy, but with a lot heavier groove. About To Break is up next and it’s power ballad number two. The harmonies and vocals are huge. The album closes out with After The End Of The World and we are going out with a bang with that trademark chugga riffage. A monster track to end on! A great band and every rock fan should own at least one of their albums!!!

10/10 from The Grooveman.

AEROSMITH – Rocks

There is a whole generation of rockers who think Aerosmith were nothing before Permanent Vacation, and the introduction of outside writers to make them chart heroes. To me, the new Aerosmith is a completely different band to the one that recorded this masterpiece. 1976 this was unleashed on the world, and it was their fourth full length album. Of course, the chemical intake was nearly at its peak and would cause the toxic twins to go separate ways a couple of albums later. Despite that, they still managed to record what many people think is their best record.

Side 1 starts with Back In The Saddle, an all time classic Aero tune and that’s followed by Last Child, which is probably Brad Whitford’s best contribution song-wise. Then we get the souped up groove of Rats In The Cellar, the band at their rockin’ best. Combination closes out Side 1.

Side 2 is just as good with Sick As A Dog, Nobody’s Fault, the ripping Get The Lead Out Nobody’s Fault, and Lick And A Promise. All killer Aerosmith classics that have kept them in drugs and booze for many years. They took what the Stones and the Beatles did and blended the sound together with added attitude, and ran with it. Great band and album.

10/10 from The Grooveman.