REVIEWS FROM MY VINYL COLLECTION

Day: September 15, 2021

STEVE HILLAGE – L

This is Steve’s second full length solo album, and was released in ’76 after a stint with the cosmic hippies, Gong. This album was produced by Todd Rundgren in the US. There are only six songs on the album, three of which are covers. One of which is Donovan’s Hurdy Gurdy Man which is better than the original, it has a killer solo from Steve. The whole album has that space hippy vibe to it with a huge dose of Krishna thrown in, and was probably recorded whilst high on copious amounts of chemicals.

Hurdy Gurdy Glissando is very trippy and groovy and has a superb repeating bass line and some great guitar. You want to know where Ozric Tentacles got their inspiration from, look no further than here! Electric Gypsies feels as though we are back in the late sixties, especially with the harmonies. Om Nama Shivaya is a modern take on a traditional Indian piece. The 11 minutes of the album centrepiece, Lunar Musick Suite, is next and it’s a full on prog/jazz fusion experience – with a lot of hippy thrown in. The album closes out with a cover of George Harrison’s It’s All Too Much, which is a great rendition with a very odd snare drum sound.

This is one of my mood albums that I put on when I am already chilled.

8/10 from The Grooveman.

ANVIL – Metal On Metal

There was a point in time when Anvil were gonna be the next big thing – especially after this album was released. They kept up the momentum with the next release, Forged In Fire, and then they slowly went down and down until they disappeared off the map. It could have had something to do with the gimmicky bondage gear and playing guitar with dildos, or the very sexist lyrics, but who knows? I’m sure most of you will have seen the Anvil documentary and how heartbreaking that was, but that’s what the music business is like for nearly all bands.

Anvil, and this album especially, were an influence for lots of metal bands of the time – even Metallica namecheck the band – and it’s not hard to see why, this is a killer record. First track and the title track is one of my favourite tracks from this period. The main riff is simple but oh so effective, and that head just wants to bang. An ode to the Japanese monster Mothra is next, and the speed quickens and the metal is a pounding. Stop Me is a about backstage lust and sees rhythm guitar player, Dave Allison, handle vocal duties instead of Lip’s crazed warblings. I love the guitar tone on this one. One of the best metal instrumentals is next up with March Of The Crabs, and I’m sure Maiden were an influence for this one. Side 1 closes out with Jackhammer, and what a killer track with a superb pounding groove and fat chugga riff.

Side 2 opens up with Heatsink, and we continue where we left off with another great track. A bit of variation next with Tag Team, as the groove slows down before Scenery comes in with its slowed down Crazy Train riff – these lyrics are seriously cheesy. Tease Me Please as a very NWOBHM riff and groove with a large hint of Mr. Nugent thrown in. The album closes out with 666, and this is Anvil at their best. Super fast speed metal with the dark devil demon subject matter instead of the porn star lyrics.

Side 1 gets 10/10, but Side 2 gets 8/10 from The Grooveman.