THE GROOVEMAN'S COLLECTION

REVIEWS FROM MY VINYL COLLECTION

Month: April 2021 (Page 9 of 11)

MACHINE HEAD – The Burning Red

April 7, 2021 /

The difficult third album. It shouldn’t have been if they had stayed as Machine Head instead of trying to be Korn, or Coal Chamber, or whatever new metal bands were around at the time. Burn My Eyes is a classic of the genre, but this album is all over the show because Flynn is trying to move with a trend. You may think that I maybe don’t like this album, but that’s not true. I do like this album – it’s just not half-life as good as it could have been.

Enter The Phoenix and Desire To Fire are the opening two tracks and could have been Korn outtakes as the groove is very similar. The riffs are there for sure, and Nothing Left has a killer riff and is the track that resembles Machine Head the most. Silver could be Nirvana – it’s that close. A very weird cover of Message In A Bottle is the worst track on the album as I just don’t see the point. Track four on Side 2, Five, is the best on the album as it reminds me of Killing Joke – it has that sinister undertone to it. When you listen to The Blackening, which would be three albums later, you have to wonder what was going on in Robb Flynn’s mind when they recorded this?! Hey ho!

7/10 from The Grooveman.

LONELY ROBOT – Feelings Are Good

April 7, 2021 /

Lonely Robot is the brainchild of John Mitchell, ex Arena, The Urbane, and Francis Dunnery’s replacement in It Bites. There are a lot more, but too many to mention here. John is a bit of a genius and a workaholic it seems. As well as being a recording artist in his own right he has produced a myriad of artists. He even did a three song EP for me when I was involved in the Tygers Of Pan Tang.

This is the fourth album from this project. The first three were a concept commonly referred to as The Astronaut Trilogy, so this one is different and is a much more personal album lyrically. The title track gets things underway and is a short vocal piece, before taking us into the album proper with Into The Lo-Fi – a great Prog/pop masterpiece. John has this quality to his voice that fits with the Prog stylings of this record perfectly. Spiders is up next and is another great song with a brilliant melody and some great playing. Crystalline is a beautiful song with great musicality, it would have made a great single. Life Is A Sine Wave is another great song that is full of great moments and playing. This song could be a standard bearer for what is modern Prog music. Excellent tune! Armour Of My Heart seems to be a very personal song which deals with the topic of how to deal with lost love and putting the barriers up. Suburbia is another piece of modern Prog with great melodies and great playing – without being over the top. Keeping People As Pets is my personal favourite on the album – a really great tune.

The production is fantastic, very crisp and clear, and all of the instruments are separated so nothing is lost in the mix. A bit more laid back than the previous three, but still a great record.

8.5/10 from The Grooveman.

KILLING JOKE – Night Time

April 6, 2021 /

One of the greatest post rock/post punk albums ever made. This album broods with sinister overtones – thanks in part due to Jazz Coleman’s half deranged madman delivery and the stunningly simple (but effective) guitar playing of Geordie. Born out of the indie/goth scene of the early eighties, Killing Joke were head and shoulders above every band that came out of the scene. There is not a bad second on this record, and in fact there are at least three bonafide classics held within the grooves.

Opener and the title track, Night Time, is one of my favourite tracks by the band, and it gate crashed the Top 20 in the UK at the time. A wonderfully dark and awesome song that I never tire of hearing. Darkness Before The Dawn is another beautiful, eerie and dark piece. It’s all about the atmospherics, and this song has them in spades. Credit goes to the awesome rhythm section of Paul Raven on bass (who would later join Prong), and drummer Paul Ferguson. The absolute monster that is Love Like Blood follows. This was another track that set the charts alight, and was a most welcome change to all the frilly shirts and haircuts around at the time. A wicked groove and simple guitar part really drive this song along, and in my opinion is a classic. Side closer Kings And Queens announces it’s arrival with a weird slowed down section, before the very distinctive riff kicks in.

Over to Side 2 we go and the percussive tones of Tabazan kick us off with that choppy drum beat and Jazz’s wailing vocal. Multitudes follows and has a very similar riff to Love Like Blood but the song is a lot darker. The choppy riff of Europe is next, and leads us into the final track – Eighties. An absolute monster of a tune with a killer riff and that unmistakable chorus – it is an anthem for a generation .

Another in the category of everyone should own one, and if you don’t then why not?

9.5/10 from the Grooveman.

WARP DRIVE – Gimme Gimme

April 6, 2021 /

Yet another hair rock band that appeared right at the end of the eighties – just before the great grunge takeover and the destruction of melody in rock music for at least 5 years after.

Now, if you can get past the first track abomination that is Bang The Drum (someone thought it would be a good idea to try and be a poor man’s Def Leppard), then this is actually not a bad album. Some great playing ensues throughout, and some half decent songs help in lifting the quality somewhat. Unusually released on Music For Nations, this album basically disappeared without trace. One song, Words, was produced by Rick Medlocke – he would later steal main man Mark Woerpel to join him in a version of Blackfoot. Moments Away is a really good rockin’ track, as is I4U. Crying Girl has a decent chorus and a killer guitar piece. Side closer is the big production number of the record. and is a good attempt at a power ballad.

Over to Side 2 and opener Eyes On You (which should have opened Side 1) is a great kick ass tune and is Def Leppard without the loops. Take, Take Me Now is a big sing-a-long crowd pleaser, before the killer song Rock’n The Boat. Whereas it’s all very familiar, they do try to to go outside the formula to make things interesting and this song is a perfect example. Stay On Stay On is next, and is another example of them trying something slightly different – it is a good solid tune. Final track, Making Time Stand Still, is a decent tune and does remind me of White Lion. A good solid album.

7.5/10 from The Grooveman.

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