REVIEWS FROM MY VINYL COLLECTION

Tag: vinyl (Page 14 of 50)

SANTANA – Inner Secrets

Controversial comment approaching! In my humble opinion, this is the best Santana album. This was the tenth album that the band released, but was the first to angle the sound in a more commercial direction. Sure, lots of Latino rhythms and grooves abound, but this time they are mixed with a more Top 40 approach. Greg Walkers voice and melodies really worked for me, and there is almost a funky/soulful groove that runs through the album.

Opener Dealer/Spanish Rose is a fantastic tune that should have been a single, but was declined by the record company – it has plenty of groove and lots of Carlos. Next track, Move On, is funk gold and this just makes you want to dance. One Chain, which follows, was a single and rightly so. A great groove, perfect vocal, and a wicked chorus and harmonies. A definite nod to Motown, and a perfect song! Stormy closes out Side 1 and is pure soul straight of Philly.

Over to Side 2 we go with Well Alright – a more traditional Santana type of groove but still mixed with the new commercial approach. The one thing you do notice is how many of the songs are written by outside writers – an obvious strategy to make the band more commercially acceptable to a wider audience. Open Invitation is about as un-Santana as is possible – until the rocking ending. A cool song with a great chorus, and vocally it reminds me of Living Colour. Life Is A Lady/Holiday is next – a double instrumental piece quite laid back but really chill. The Facts Of Love follows and is another latin/funk/soul tune with a typically catchy chorus. Wham closes out the album, and is the only track on the album that would make you say “this is Santana”. From the salsa percussion in the beginning, to the latin grooves and instrumentation – this is unmistakably Santana and a killer track to boot.

If you like groove in your soul then this one is for you.

9/10 from The Grooveman.


WARRIOR – Fighting For The Earth

If I were asked by someone to describe mid-eighties glam metal in one album, I would play this. This is an absolute classic of the genre, they were even dressed as warriors on stage. Led by the amazing pipes of Paramore McCarty, who later joined Steve Stevens in his Atomic Playboys (another killer album). Cheesy image, great production, decent songs, and a killer guitar player – what more could you want?

To appreciate this fully, you have to transport yourself back to 1985 and remember how you first heard it. The title track kicks things off in epic style with a monster song, “we are warriors fighting for the earth!” yes indeed – cheese-a-rama but totally enjoyable. Next up is Only The Strong Survive – another good song with a sing-a-long chorus. Third song is Ruler, and reminds me of the mighty Priest as, let’s face it, that’s where Warrior’s influences firmly lie. Last track on Side 1 is Mind Over Matter, with its fast paced double kick drummer pounding you into submission, and plenty of chuggas to make that head bang.

Over to Side 2 and Defenders of Creation – another killer track to open with. The big production of the album, as it has a great beat and groove that builds really well. Day Of The Evil follows – another fast paced riff driven rocker with a great chorus and lots of widdly-diddly guitar. Cold Fire follows, and starts off a bit like Metallica before descending into ballad city – it’s the one track I don’t really care for. A very cheesy spoken word PTM1 is next, before album closer Welcome Aboard stomps its way into your brain.

It’s been ages since I played this, and I really enjoyed it.

8.5/10 from The Grooveman.

THE CARS – Panorama

The Cars were one of the more interesting bands that were born out of the punk/indie scene in the US at the end of the seventies. After the success of their first two albums, the pressure was on for them for the difficult third release. The record company drafted in former Queen producer Roy Thomas Baker to oversee matters.

At their quirkiest, they sounded like Devo – mainly due to the vocal style of Ric Ocasek. At their best, they were a great pop band of the time. By this time they had gone full on into synth pop territory, and bore little resemblance to the band that had recorded My Best Friends Girl and Just What I Needed – they were killer tunes.

As usual with US singles bands, the 1st Side is loaded with the singles – even though in my opinion they aren’t that strong. I don’t have a favourite track as they are all a bit of a muchness. It’s definitely of it’s time, and sounds quite simplistic by today’s standards. As I mentioned, this was the difficult third album and didn’t sell that well. It’s an ok album, but nowhere near their best.

5/10 from The Grooveman.

MOTÖRHEAD – Overkill

Overkill, the album that started it all. This folks is the ground zero moment for the birth of the thrash metal movement…well…one track in particular was responsible. This would actually be Motörhead’s third attempt at recording an album. The first,(which would come out after they had a name and were selling records), On Parole, was shelved as it was deemed not good enough for release. The second, the self titled album, was heading that way until Chiswick Records stepped in to release it. So really, you could say this was the first proper Motörhead album, the first with the classic line up of Philthy, Lemmy and Fast Eddie.

First track in is the title track and the one that would be of interest to one Lars Ulrich, and a burgeoning scene in the Bay Area of San Francisco. Overkill was their first on Bronze Records, and was the first song to have double kick drums all the way through on a fast track. No mean feat as it lasts for 5.12 minutes and the drummer probably needed oxygen after. Everything about the track is awesome. Eddie’s guitar sound is killer, and Lem’s vocal just makes it a great track. Stay Clean is a typical Motörhead track of this line up. I Won’t Pay Your Price, I’ll Be Your Sister, and Capricorn have that space rock element to them from Lemmy’s stint in Hawkwind, but with that harder edge – plus Lemmy wanted to stick it to his former band mates for kicking him out of the band.

Side 2 starts with No Class, and it sounds to me as though the main riff has been lifted from Tush by ZZ Top. Damage Case is next and again is a typical sounding track for the band. Tear Ya Down, Metropolis, and Limb from Limb are great early Motörhead tracks.

I saw this line up numerous times back in the day and there was something special about them. They were like a force of nature and you felt as though you were part of a gang. I know this line up only lasted for four years before the inner turmoil came out and Eddie left to form Fastway. I know the band carried on until Lemmy’s death, but these guys were special. It’s hard to believe that a band that was so important to me at the time are now all dead. The first thing Lem would say when walking on stage would be “Good Evening! We are Motörhead, and we play rock n roll” and that’s all you need to know. I love the first four albums as they are classics of the genre.

9.5/10 from The Grooveman.

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