REVIEWS FROM MY VINYL COLLECTION

Tag: vinyl records (Page 93 of 491)

T&N – Slave To The Empire

Yet another one off project from George, this time with three quarters of Dokken with him along from the ride, as well as Mick Brown and Brian Tichy drumming on some tracks.

This album first came out in 2012 and this is a reissue. If you want to know what Dokken would sound like without Don on vocals then maybe you should give this a spin. Jeff Pilson sings on the majority of tunes but there are some guests like Doug Pinnick, Sebastian Bach, Robert Mason, and Ripper Owens to give weight to the project.

Dug lends his golden tones to a cover of Tooth And Nail, and I have to say that the original takes it for me as this is a more supercharged version whereas the original is ingrained in my brain, but it’s still a killer rendition. In fact, there are a lot of Dokken covers mixed in with some originals. One of my favourite Dokken tunes is Its Not Love and this version is more raw and less polished with Robert Mason on the vox, and I really like it.

Also, a big thumbs up goes to Into The Fire. Another great song and sounds awesome with Jeff singing, that raw feel suits this song. Of the original tracks, Rhythm Of The Soul ticks all the boxes. Killer groove and vibe, and Jeff shows here what a great vocalist he is. Award for the best guest vocalist goes to Seb Bach for Alone Again. He has great control and delivery. This is obviously a big FU to Don as he was probably on one of his “ I wrote all the tunes in Dokken” rants.

A cool record and a fun listen.

8.5/10 from The Grooveman.

VOODOO X – Vol 1 The Awakening

This is the only album that Jean Beauvoir (ex of the Plasmatics) released as Voodoo X. Although he has released a ton of solo albums or under the Crown Of Thorns name.

Originally this album was released back in ’89, and it screams Kiss in their hair band phase. This should be of no surprise because Jean has written with them many times.

Voodoo Queen was the big track from this record and the main hook and chorus is very similar to Cherry Pie by Warrant. Great song either way. A nice crisp production by Max Norman gives the songs that lift to make them pop.

Notable tracks are Don’t Bother Me with a galloping riff and groove, A Lover Like You which would have made a great single, the Bon Jovi sounding One Riff, but it’s the already mentioned Voodoo Queen that is my favourite track because it’s one hell of a tune.

Cool record that I haven’t played in a long time.

8.5/10 from The Grooveman.

THE FLOOD – Hear US Out

Chris Ousey has seemingly been around forever and has been knocking on that door, but never quite gaining the recognition he deserves. Most people will know of him from fronting the band Heartland. He is blessed with a voice that many would die for, with those silky bluesy tones, it’s the perfect vehicle to showcase that voice to the max.

Ousey is joined here by a killer backing group of Billy Sheehan on bass, Nigel Glockler on drums, Jim Kirkpatrick on guitars, and Didge Digital on keys – this is high grade melodic rock. There are times when Mr. Big pops into your mind like on Fight Or Flight where Chris’ tone reminds me of Eric Martin. All songs are co- writes between Ousey and Kirkpatrick, so the overall vibe has a British Whitesnake blues and groove feel, with a hint of mid eighties US big hairorama.

Highlights for me are Dangerous Dawn, Fight Or Flight, Overdrive, and my two favourites: the title track The Flood and Stand Up. Both of these rips at a fair pace compared to the rest of the tunes, but the hook and chorus are right on point.

I’m not sure if there will be a Flood 2 but I hope so because this is a very classy set of songs.

8.5/10 from The Grooveman.

STRATOVARIOUS – Eternal

This is album number fifteen for Finland’s finest exponents of speed metal, and was released in 2015. While I do like the band and what they have achieved, this album (well, the production) has me scratching my head somewhat. The vocals are there but they feel almost buried at times. There are numerous sections that have the gang vocal, maybe they were trying to hide Timo’s vocal problems. Add to that, the whole mix is muddy at times.

It’s a very one paced album and that is full on gallop mode. Now, I don’t mind a good gallop but a little variation would be good and a look back to the past might be the way forward. It sounds as though I’m being a Debbie Downer and that’s a tad unfair because this is still a good record, and it’s still a Strato record and when they are having an off day it’s still better than most bands in the genre. So, it’s no surprise that I’m going for a non-gallop tune as my favourite. Lost Without A Trace is a mix between melodic rock and Prog metal and has great dynamics with a killer solo.

7.5/10 from The Grooveman.

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