REVIEWS FROM MY VINYL COLLECTION

Tag: vinyl records (Page 9 of 473)

HARLOW – S/T

Another one and only. This time, it’s a very slick sounding arena rock band from LA. Harlow features one Tommy Thayer on geetar, Todd Jenson (who was in Hardline), Pat Regan (who was a member of the killer Eyes project with JSS), and is fronted by powerhouse female vocalist, Teresa Stanley (who wrote every song).

You should always open the album with a banger, and that’s what you get here with Chain Reaction. Superb song with a great riff and a massive hook and chorus. Silence is a very moody and brooding track with a killer vocal. Don’t Say We’re Over is a full on ballad with a superb production. In fact, the whole album sounds huge and clear.

Empty ups the tempo somewhat with a four to the floor groove, a kickin’ riff, and a big hook and chorus – this just pips it for my favourite track. When You Love Someone is a slick 80’s groove with a hint of old Zeppelin. Side 2 kicks off with Cry Murder and it’s an okay rocker with that “I’ve heard it a million times before” vibe.

We have a cool acoustic groove to the opening of No Escape, which builds and builds to a cool Americana vibe. Beyond Control has a very similar feel with those Zeppelin vibes reappearing. Pictures could be a mirror image of the previous song because that vibe continues throughout Side 2. The album closes out with Edge Of Love and we go out with a whimper.

Side 1 rules and Side 2 struggles to keep the vibe going somewhat, but it’s still a really good record.

8/10 from The Grooveman.

BLACK SHEEP – Trouble In The Streets

This is the one and only album Black Sheep released and it came out through Enigma records in ’85. The band revolved around frontman Willie Basse, who was one of the only black frontman in a rock band at the time. It’s the players that left the band that are of interest however, inlcuding a very young Slash, Randy Castillo, James Kottak, and Paul Gilbert (who does play on the album although he is not pictured on the cover).

The album has a very sparse, in your face, crystal clear production – which I do love. We go from cheesy anthem hair band material on tracks I Will Survive and What Can I Do 4 U, to out and out metal rippers like Love Is Not Enough, where PG gives it all the beans. It’s very reminiscent of early Racer X.

All songs are written by Basse only, except Trouble In The Streets which was co-written with George Lynch. The riff on that track sounds a bit like Turn On The Action by Dokken. It’s definitely my favourite song with lots of shredage by Mr. Gilbert.

I like this record a lot and yes, we’ve heard it all before but it’s fun and that’s what the 80’s were all about.

8/10 from The Grooveman.

ATTAKK – S/T

Yep it’s another “one and they’re done” band, but this time they only managed to record this 6 track EP, no album. The band scored a deal with a Japanese label because of their guitar player, Kuma who came from Japan, and thus the EP came out in ’89 in Japan first. Unfortunately for the band, it was not pressed anywhere else so they had to send boxes back to California. I guess this was a major factor in the band collapsing.

Strange thing is, this a really good record and they should have done a whole lot more. The EP opens up with Thunder In The Night, an anthemic gallop in true Maiden style with a ripping solo. Without A Word is more of a power ballad with the emphasis on the power. Not Your Man closes out Side 1 with a mid pace pounder, a nice riff, and a rip it up solo.

Never Apart opens up Side 2 and it’s a syrupy ballad, which as we all know has no place on a six track power metal EP showcasing you to the world. Ride The Dragon reminds us what we are here for with quite a commercial sounding rocker. Great riff and guitar sound. So, the last track all too quickly arrives and it’s the band’s signature tune: Attakk. Double kicks all the way and we go out with a bang.

They definitely should have hung around for another record because I think they had a lot to offer.

8/10 from The Grooveman.

IMMACULATE MARY – Through The Eyes Of Youth

If you’ve been following me for a while, you may have noticed I do have a lot of albums from unheard of rock and metal bands from the 80’s and early 90’s. For every band that managed to breakthrough, there were squillions that didn’t. It’s not that they were all bad, they just never got the breaks.

Immaculate Mary are from Rochester in NY state, and this album creeped out in ’89. Apparently their claim to fame was that they were entered into The Guinness Book Of World Records for being the loudest band in the world in ’98.

This is pretty standard heavy rock and metal with a very sparse production, but I do like that FU attitude and naivety. Side 1 is okay with a not too shabby version of a Wild Thing, but Side 2 is where this album kicks off with the song Once Bitten. This track opens up with some heavy chugga riffing that leads into a Keel style hook and chorus, and is my favourite tune.

Main songwriter and guitarist Tommy Brunett is obviously the main man here as he writes the majority of the album by himself, as well as ripping on the axe wherever possible. You should be able to pick this up quite cheap because there was plenty of cut outs available.

7/10 from The Grooveman.

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