REVIEWS FROM MY VINYL COLLECTION

Tag: vinyl records (Page 485 of 491)

LARKIN POE – Peach

I think the first review I did for this blog was Larkin Poe, well the randomizer throws them your way again.

This album from 2018 is basically just the two Lovell sisters playing everything themselves. A mixture of originals and covers, the sisters are taking us deep into Mississippi blues territory on this one. Rebecca’s vocals have such depth and feel for one so young, and on the original Cast Em Out she seriously delivers. Pink & Red has a very modern delivery with that delta backdrop not too far away.

The sister’s versions of blues and gospel classics, John The Revelator and Robert Johnson’s Come On In My Kitchen, may have some blues purists crying in there fried chicken but I love these versions as they breath new life into them.

Tracks like Wanted Woman – AC/DC have again that very modern feel with programming and loops that should appeal to younger ones among us with some great lap steel and slide from Megan.

Please do yourselves a favour and check Larkin Poe out. They are incredible and deserve your support. If we ever get back to going to gigs again I will be first in line when they call by.

9/10 from The Grooveman.

PORCUPINE TREE – Anesthetize

If you look back through previous reviews you will see my review for Fear of a Blank Planet. This recording is the culmination of that tour whereby on the last leg they played the album in it’s entirety plus the tracks from the Nil Recurring EP – except funnily enough not the track Ni Recurring, although it does appear on the Blu-ray as a projection film.

This version is the lavish 4LP box set that came out on Dutch label Tonefloat. Quite apt really as this was recorded at the 013 in Tilburg. This is the second live album by PT, the first of which was Coma Divine recorded in the band’s more tripping psychedelic era.

The live set up of Porcupine Tree see the band complimented with an extra band member, which is John Wesley who plays guitar and backing vocals, which is great as he fills the sound out nicely. I caught this tour in Toronto when they passed through and I loved every second of it. The songs come across a lot heavier live as to what they are on album, which is no bad thing as it adds to the atmos. If I remember rightly the show was split into two as the band went off and came back after they had played Blank Planet.

As per my original review, Blank Planet was the pinnacle of their recorded output and this tour, a high point even though the Incident tour after this saw bigger attendances. The band at this point were super tight and special mention goes to drummer Gavin Harrison whose performance is outstanding – some of his fills are jaw dropping. You get the sense that the band knew this was a special occasion as they give their all.

PT use a lot of visuals when they play to enhance the songs to the max, and when you are used to seeing them that way it does leave an empty feeling when listening to the vinyl. Nevertheless, the songs are strong enough to stand alone and the performances of each song are nothing short of amazing. The second half of the set consists of songs in their back catalogue going back as far as the Sygnify album – highlight for me being Halo.

Unfortunately the band doesn’t exist anymore as Steven Wilson now has a very successful solo career, and the prospect of PT getting back together is very slim. This live album is a great testimony to what was one of modern progs greatest bands. Definitely one of the best live albums around.

9/10 from The Grooveman.

JOE WALSH – But Seriously Folks

At one time, Joe was probably best known for being world’s biggest hell raiser and a member of The Eagles. But before that, he was a member of The James Gang and he released three solo albums before he joined the big birds.

This album was recorded after he joined The Eagles, and the vibe has The Eagles written all over it. I really like Joe’s style of guitar playing, but there’s not a lot of it on show here as this is all about the songs and painting pictures with the words as in the beautiful Indian Summer.

I have a huge soft spot for Joe’s vocal style when he really stretches his voice and gets that whiny tone and on At The Station this is emphasized best with its swinging groove. Onto Side 2 and it’s more of the same really culminating in the album’s stand out track Life’s Been Good. Some good players assembled as a back up namely Jay Ferguson on keys and Joe Vitale on drums as well all The Eagles appearing on backing vocals’s part and Don Felder on lap steel. A great record, no, but a fun record nonetheless.

6/10 from the Grooveman.

STING – Bring On The Night

I know it’s not cool to admit it, but I really like Sting and The Police before. I first saw them at a small club before the 1st Police album came out playing to 3 men and a dog. Shoot forward about 8 years at the recording of this live album and Sting is somewhere in the stratosphere of stardom. How quick things change.

This album was recorded in support of the Blue Turtles album, so the songs on here are from that album plus a select few Police toons. One look at the band and you can tell the groove that Sting is aiming for. Omar Hakim ex Weather Report on drums, Darryl Jones ex Miles Davis on bass, Kenny Kirkland ex Dizzie Gillespie on keys, and Branford Marsalis ex every great jazzer on sax. A whose who of great groove players.

First track in is the title track segued into When the World is Running Down with the extended groove work out is just fantastic. This is part of the problem with this record really as it shows up the Blue Turtle songs as not being as strong as the Police songs that they sit along side on this offering. It’s not till we get to the end of Side 2 with Demolition Man that the groove really picks up again.

Onto Side 3 and we are into a serious reggae groove of One World and then the tempo drops right off again. Now I know all about the spacing of a show with highs and lows and giving the audience a breather as well as the band, and when to use peaks and troughs and the big build points throughout the show. I just don’t think the way the album is presented makes it flow very well as you end up wanting to skip tracks to get to the awesome bits. My favourite track is the first of Bring On The Night/ When The World mash up – then it’s downhill all the way.

7/10 from The Grooveman.

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