REVIEWS FROM MY VINYL COLLECTION

Tag: vinyl records (Page 481 of 491)

BOSTON – S/T

As debut albums go, Boston’s first album is right up there with the very best. Boston the band are the brainchild of guitarist Tom Scholz. The album was released in the summer of ’76 and at the time was quite groundbreaking , with the multi track guitar sound that Scholz had developed in his basement and is at the forefront of every song with the amazing high register vocals of Brad Delp.

The 1, 2, 3 punch of More Than A Feeling, Peace of Mind, and the incredible Foreplay/Long Time that is Side 1 can not be beaten. No wonder Epic records were falling over themselves to sign the band. Incredible melodies, great songs, and some fantastic guitar playing is the order of the day here. The album went on to be Top 20 in just about every country, and rightly so.

Side 2 starts off just where Side 1 dropped us off, with the great Rock & Roll Band and into the fantastic Smokin’. The next track is the the weakest track on the album, Hitch a Ride, and even then most bands would drool for this track. Closing the album out with Something About You and the awesome closer Let Me Take You Home Tonight. How do you get to be this good on your first album? Well, Scholz was living with and working on these songs for 5 years before they got the deal, so they were ready to hit the ground running.

Personally I love all of Side 1 and the final track on Side 2. I don’t think they ever topped the quality in the albums that came after. This falls in the category of everyone should own one.

9.5/10 from The Grooveman.

VIOLENT SOHO – Waco

I got this through one of those hipster vinyl subscription services, and for some reason even after I filled in my preferences, they sent me this. Oh hum!!!

This is the fourth album by these Australian alt rock noisenicks, and apparently it did really well in the land of Oz reaching the coveted number 1 slot. Although it’s not bad, it’s just not my cup of Java, it’s a bit too basic for me. Not a fan of the whiney vocal style. They remind me of a bargain basement Seattle band as the vibe is very similar.

I don’t really have a favourite track as it’s all very much the same, but the one redeeming feature of me owning this record is now it’s worth quite a bit on Discogs! If any of you out there in internet land would like to purchase this from me just message me!

4/10 from The Grooveman.

RAGE AGAINST THE MACHINE – S/T

I only became aware of Rage because of Tom Morello’s involvement. I was a fan of his funk metal band, Lock Up, whose album, Something Bitchin’ This Way Comes, was a good record but a million miles away from this.

Now music and protest has gone hand-in-hand forever, but nothing with the anger and angst shown on this record. Even the album cover was controversial – showing a Vietnamese monk setting fire to himself as the ultimate figure of protest.

We kick things off with Bombtrack with the rap lyrics of Za De La Roche about social inequality. Track 2 was the one that got everybody listening, Killing In The Name, with the chorus of “Fuck you I won’t do what you tell me” had every kid jumping to the cause. The funky grooves are still here, except now mixed with the hard edged vocals and lyrics, it seems to be the perfect mix. The other notable track on Side 1, and probably the heaviest on the whole album, is Bullet In The Head – about how the government controls the media to control the masses. Again, Side 2 has its moments but doesn’t have the musical power of Side 1.

It’s quite hard to listen to this just as a musical piece as the themes are so strong and the angst takes over. So definitely not album to relax to. Favourite track is Bullet In The Head.

7/10 from The Grooveman.

NO-MAN – Love You To Bits

This is the seventh full length album by No-Man, and their first since Schoolyard Ghosts some 11 years previous. It also sees a return of the dance/groove style of their early records. I prefer the up tempo grooves to the more laid back solemn, melancholic vibes of Schoolyard Ghosts. Tim has an interesting almost breathy style to his vocals, but somehow stays the same no matter what tempo the song is.

Basically this album is two songs split into five segments each – even though there are no gaps. Side 1, Love You To Bits, starts off like a 70’s Giorgio Moroder/Donna Summer style disco groove, and then grows into a nearly BPM dance track albeit with a real drummer, Ash Soan. Then we get a typical Tim slowed down vocal section, that emphasizes Tim’s original style into the dance groove from earlier on in the piece.

The premise of this record is about a relationship that breaks up, and being told from both sides. So Side 2, Love You To Pieces, is from the other perspective. It starts off with the familiar slow Tim vocal, and into the familiar groove from Side 1. This side is a lot more experimental and electronic with the beats and grooves, and with a great Fender Rhodes solo from Adam Holzman in the middle section.

Not out of place in any night club. I really like this a lot and as a welcome return to form.

8.5/10 from The Grooveman.

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