REVIEWS FROM MY VINYL COLLECTION

Tag: vinyl records (Page 441 of 491)

PINK FLOYD – Animals

To me, this is the last great Pink Floyd album. It’s the last album where they were a band, and not a Roger Waters dictatorship. I was never a fan of The Wall as I thought it was overblown self obsessed nonsense from Waters. Sure, there were some good songs on subsequent records, but this is the last true Floyd album. This was released in ’77 and was the 10th Floyd studio album. It was a concept album based social and political unrest in Britain in the mid-seventies. Two of the songs were actually leftovers from Wish You Were Here and reworked/renamed: Sheep and Dogs – they just happen to be the best two tracks on the album. This is prime time Floyd – huge overblown songs that go on forever, deep lyrical content, and killer production.

There’s only two tracks on Side 1, the short intro piece Pigs On The Wing, and Dogs. Dogs is such a huge song that if you switch off in the middle, there are virtually no reference points to remind you what song it is. Again, beautifully written and played – lots of room for the music to breath.

Side 2 starts with Pigs (three different ones) a Floyd classic. Lyrically there are lots of veiled (and not so veiled) digs at establishment figures of the time. Also, some great guitar from Gilmour to lift the song to another level. The last full length track on the album is one of my favourite Floyd tracks ever, Sheep. It starts with a beautiful Fender Rhodes intro from Rick Wright, with a subdued bass line played underneath – very reminiscent of One Of These Days. One of the most up-tempo songs the band recorded, and again, some great playing from Gilmour. The album closes out with the bookend piece Pigs On The Wing (Part 2).

There’s no denying the genius of Pink Floyd as a band, but it all started to unravel when Waters thought he was the band. It’s a shame when band’s fall apart like this. At least we have the music.

9/10 from The Grooveman.

VOIVOD – Dimension Hatross

Other than poutine and tourtiere, VOIVOD is Quebec’s best export to the world. Born in the early eighties at the end of the first wave of thrash – it’s always amazed me how they never became bigger. This album and the one after (Nothingface) are classic metal albums that I would recommend any metal fan to own.

There is a lot going on within the music. We go from basic thrash, to punk, to speed metal, and we venture off even into progressive territory. This album is a concept album based around the exploits of the band’s mascot, Korgull. Bands like Meshuggah name check them as an influence, and there are a myriad of other acts that site them as an influence as well. They were once even called the Frank Zappa of metal, and I sort of get that musically. No song breakdown here as it’s just a great metal album of the era. Huge riffs, clever time changes, crushingly heavy in places, and there are no hooks or melodies for you to sing along to – just great challenging metal.

9/10 from The Grooveman.

AVERAGE WHITE BAND – Feel No Fret

I am forever amazed that this bunch of hairy-kilt-wearers from Scotland can produce such amazing funky soulful music. This is the seventh full length album the band released, and it came out late ’78/early ’79 depending on where you are in the world. The band are driven along by the amazing talents of Alan Gorrie and Hamish Stuart, who share vocal duties and write most of the material.

When Will You Be Mine gets things underway and sets the tone for the rest of the album. Grooves a plenty to make you get up and dance – a fantastic opening tune! Please Don’t Fall In Love has that distinct Philly soul groove, and is another killer tune. The Hal David and Burt Bacharach classic, Walk On By, is next but done in an almost funk/reggae beat – a fantastic rendition. The title track, Feel No Fret, closes out Side 1 and is an absolute beast of a tune. The underlying groove feels a bit like Exodus by Bob Marley, but seriously funked up. Another killer tune!

Side 2 starts with Stop The Rain – another funked up Philly soul sound. Atlantic Avenue was the song that got all the attention upon release, as all the critics raved about it as it was released as a single. Ace Of Hearts follows, and is slightly disappointing – its not as strong a tune as everything else. Too Late To Cry is the slow smooch tune of the album as the groove is a lot slower. The album closes out with Fire Burning and it is a full on disco experience.

Not quite as outstanding as earlier releases as Side 2 lets the album down somewhat, but it does contain two band classics.

8/10 from The Grooveman.

OZRIC TENTACLES – Strangeitude

These guys are one of the most prolific bands around – having released over 30 albums since their inception back in ’83. The first six albums were released on cassette only, so this album is the 3rd proper release in ’91. Musically, they are a very diverse band, ranging from the early fusion/psych, to prog/space rock, and then to more electronic/ambient/trance of their more modern releases. The only constant member throughout their career is founder/guitarist, Ed Wynne. A great player and one of the great unsung guitar heroes.

Opening track, White Rhino Tea, is a lesson in great British fusion. Great playing from all musicians with some serious grooves being put down. The Ed Wynne penned, Sploosh, is next and it has a very hypnotic trance like groove. Saucers starts with a classical guitar and then the keys kick in and we are in ambient groove heaven. If you want music to totally relax and groove to, then you should invest immediately.

Side 2 starts with the title track, Strangeitude, and it begins with a very middle eastern vibe until the stop start keyboards give way to more hypnotic grooves. A very trippy track that just makes you want to move. The middle eastern feel continues with Bizarre Bazaar, but this time the groove is heavier and faster with some fantastic guitar. I assume Soft Machine, and Weather Report were influences of the band as I can hear the similarities. Last track, Space Between Your Ears, starts off dub/reggae style before we enter into the more chill out grooves. There is no other band like the Ozrics, and they consistently put out great instrumental records. Definitely one of the world’s best kept secrets, and I love them.

9/10 from The Grooveman.

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