THE GROOVEMAN'S COLLECTION

REVIEWS FROM MY VINYL COLLECTION

Tag: vinyl records (Page 420 of 491)

DEEP PURPLE – Made In Japan

June 11, 2021 /

One of (if not) the best live rock albums ever recorded over three nights back in 1972. Everything is not only louder than everything else, but it is extended and expanded more than everything else. Arguably the best line up of Purple, although I do like the Burn line up, these guys invented the hard rock format that still holds true today.

What an opening track! Highway Star is everyone at the top of their game and they all get their moment in the spotlight – we are only at the beginning! Jon Lord is immense on the ivory’s, Blackmore is playing like a demon, Gillan’s vocals are epic, and the rhythm section of Glover and Paice is on fire. Child In Time is all Gillan with those unreal screams at the beginning and towards the end, then it’s Blackmore – for who the term “guitar god” was invented. Every one forgets just how influential he was, and you should all be made to listen this record to listen to how he became so revered. Super long solos were invented by this man! Smoke On The Water is about as well known a song in rock circles as it gets. Everyone has heard this. I don’t think I need to expand on that too much, other than this version is about the best you will hear. The live sound gives it way more balls than the studio version.

The Mule is up next and was the big number for Ian Paice. Everyone seems to forget Paice when it comes to legendary drummers, but for me, he is up there with Bonham as a legend – in fact, he has more chops as he learned to play in jazz and dance bands. This has to be one of the longest drum solos on record. Strange Kind Of Woman, other than Hush, was the first big single for the beefed up Purple and is quite a commercial sounding tune. A simple riff and a catchy chorus is all you need folks, and this version sounds huge. Lazy is next, and even though the song starts with Lord ringing out some other worldly sounds from the Hammond and riffing out the jazzy intro, this song for me is all about The Man In Black who shows how versatile he is. It’s big finish time and it doesn’t get much bigger than Space Truckin’. It’s everything you have already heard and then multiplied by 10.

This album is fifty years old next year – just let that sink in for a second! If you don’t already own this, then I suggest you change that mistake at your earliest convenience.

10/10 from The Grooveman.

FIFTH ANGEL – Time Will Tell

June 10, 2021 /

Just to prove that Seattle was not all about grunge, Fifth Angel released their first album in ’86, and this, their second album, came out in ’89 just as the groundswell of grunge was blooming. Original axe slinger, James Byrd, had left by this point to go solo, and just after this album was released the label pulled the plug. It’s hard to understand how some labels make their decisions. Melodic hard rock is the order of the day, the band wrote some killer tunes, and Byrd’s replacement, Kendall Bechtel, was a great player.

Opening two tracks, Cathedral, and Midnight Love, are really great tracks with killer vocals and melodies, superb riffs, and some great playing. Seven Hours has an interesting opening before settling down into a generic hair rock anthem. Broken Dreams is power ballad number 1. The title track follows and is very Dokken in its execution. The last track on this side is a cover of Lights Out by UFO, and while its an ok attempt, the original is such a strong song that unless you are going to do something different, it’s best left alone.

Side 2 kicks off with Wait For Me and it’s back to the big rock and big production. Angel Of Mercy is up next and starts with a huge riff, but it’s a near exact copy to the previous track. We Rule is the heaviest track on the album so far, and is the highlight for me. So Long is ballad number two, and Feel The Heat closes out the record with a big chorus, melody, and harmonies a go-go.

Unfortunately there were a ton of bands doing this type of rock at the time, and unless your are top of the heap, you will get passed over.

7/10 from The Grooveman.

VAN HALEN – Zero Demos

June 10, 2021 /

Back in the mists of time, well 1976 to be precise, Van Halen were just another struggling band trying to make it in Pasadena, and the occasional foray into Hollywood where the band had a decent local following. Gene Simmons claims he found them whilst playing one of these shows, and offered to record a demo with the band and he would shop it to labels. Of course, he had a slight ulterior motive as he saw the hot shot guitar player as a replacement for Ace, who Kiss were having a few problems with at the time.

The most interesting thing about these demos, as well as listening to the original versions of these songs before Ted Templeman waved his magic, is that Eddie hadn’t yet evolved the tapping technique fully yet. First track, On Fire, is not far off from the version you here on the first album. Woman In Love, although having the same title, is nothing like the version that would end up on VH2. House In Pain, as we all know, had a slight name change to House Of Pain and would finally make it on to 1984. I actually really like this version. The other thing you notice is that way back in ’76, they had tunes nearly fully formed that would not make it to album some 8 years later. Runnin’ With The Devil is not too different from the first album, even Ed’s solo. She’s The Woman is the last track on the first side and would not make it to an album until A Different Kind Of Truth, and again, is nearly all there and this version is better imho.

Side 2 carries on with Let’s Get Rockin’ that was never fully released – except for a couple of snippets. Big Trouble is another tune that wasn’t released, and it’s not up to the band’s usual standard, but it does have an interesting middle section with some great guitar. Somebody Get Me a Doctor is just about complete structure wise, but would benefit huge from Templeman’s magic. Babe Don’t Leave Me Alone is just a straight up 70’s American rock song, that bands like Angel would put out. Last track is Put Out The Lights and is just another ok tune.

In my opinion, there is still enough great tunes on here to have got the band a deal at the time. No record company bothered until Ted Templeman saw them nearly two years later, by which time Ed had the full arsenal of tricks.

8/10 from The Grooveman.

SILENT RAGE – Don’t Touch Me There

June 9, 2021 /

Another one of those late eighties hair metal bands that came just too late for anyone to take notice. This was another band that was snapped up by Gene Simmons for his record label. There were big rumours that some Kiss songs were written by these guys, but there were a lot of bands that could say that. They were formed in late ’85 in California and play the big rock anthems with very catchy melodies and hooks. Vocalist, Jesse Damon, has the perfect voice for the tunes.

Opening two tracks, Runnin’ On Love, and I Wanna Feel It Again are a perfect 1-2 opening to get you up and rockin’, and then the ballad rears it’s ugly head and the vibe cools down somewhat. Rebel With A Cause is next up and it’s a very slick, well polished, big rock song that would go down well live. The production is huge and is part-produced by Simmons and Paul Sabu. Touch Me is a near rip for Robert Palmer’s Addictive To Love with just enough difference to avoid a law suit. Tear Up The Night closes out Side 1 and brings the rock to add to the big chorus and hooks – definitely a winner at rock nights everywhere.

Side 2 starts with the big sleazy sing-a-long groove of Shake Me Up. Five years earlier this would have been a smash. Don’t Touch Me There is nothing special and reminds me a bit of Foreigner, but it does have a nice solo. Ballad next and record company logic of the time dictated they must exist aaannnnddd snooze! All Night Long is the penultimate track, and another power ballad. Totally pointless – a good album is being dragged down by these cop out tracks. I mean, it’s well played and everything but…You can see why this type of music faded away as it didn’t represent what the young kids were experiencing at the time. Last track, I’m On Fire tries it’s hardest to go out with a bang. The tempo is raised and the groove is good – we are back with the big hooks and melodies. Great song!!!

8/10 from The Grooveman.

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