REVIEWS FROM MY VINYL COLLECTION

Tag: vinyl records (Page 4 of 491)

VICTORY – S/T

Album number one from one of Germany’s most underrated rock bands. I always thought that their albums sounded a bit like Saxon, especially the riffs with the twin guitars. Having ex-Ted Nugent vocalist Charlie Huhn on vocals seemed an odd choice for a German band, but I have to say it works really well. Also having a slightly controversial cover did help the, as well.

Overall though, it’s the songs that make this one of my favourite Victory records. Very catchy hook laden songs with patented heavy loud riffs is always a winner for me, giving the band that commerciality that was a must have in the mid eighties. A great production by Ric Browde and a Michael Wagener huge mix gave this album every chance. The Hunter, On The Run, Chicks On Display, Don’t Count On Me, and Wreck Man are all banging tunes and you can pick any of these as a favourite track. The only down point is the pointless inclusion of a cover of the Bealtles’ song I’m Down. If you going to do a cover on your debut, at least make it one that’s relevant to your talents.

Overall, I do like this album.

8/10 from The Grooveman.

REVEREND – World Won’t Miss You

So, after Reverend’s awesome self titled EP that was released in ´89, they were picked up by Charisma America and released this – their debut album one year later. I’m going to refine my original assessment of the band’s sound that I wrote in the review of their first EP by saying that if you put Anthrax and Overkill in a blender, then out would pop Reverend.

I was going to say it’s something in the water, but Reverend are from the west coast. Yup, this is a good old thrash record that delivers from front to back. The title track World Won’t  Miss You is the pick of the bunch for me. Although the fat huge chugga riffage of Rude Awakening is a close second.

Cool record!

8/10 from The Grooveman.

ANTIX – Get Up, Get Happy

Another short and sweet five track EP from another hopeful 80’s rock band that maybe you wouldn’t give a chance to other than the fact that it was produced by Don Dokken and Jeff Pilson. They also managed to get it released in the UK through Heavy Metal America, which was a relatively new label at the time.

This EP is really quite good and they would go on to release two full length albums after this. It’s not your usual straight up and down mid eighties sound as these guys have some cool grooves and breakdowns in the tunes to make them different, I get what Dokken saw in them. The opening to Caroline has a killer funky bass intro that leads into an awesome riff with an huge guitar sound. Add the big hook and killer harmonies, and it’s a sure fire banger.

Five tracks and I love them all. If you come across a copy, grab it as it’s definitely a diamond in the rough.

8.5/10 from The Grooveman.

W.A.S.P – The Last Command

It took me a long time to appreciate W.A.S.P because at the time I thought they were just headline seekers aiming for the lowest common denominator with the shock image and the foul language. Of course, that was the point, but hidden away in there was a band with some great songs.

After the success of their debut album the pressure was on to beat it and I’m not sure they did, but with singles Wild Child and Blind In Texas they sure got some MTV exposure as they were great catchy commercial songs. Chris Holmes isn’t the best guitarist in the world but he’s not a bad rhythm player, and producer Spencer Proffer makes him sound huge here.

As for my favourite track… well it has to be Blind In Texas. It stands so far out from the rest of the album, it’s a no brainer. It’s just a straight up boogie, but the hook and chorus are just huge. W.A.S.P are one of those bands that never actually made a killer front to back record but if you put all the best tracks together you would have one hell of a record.

8/10 from The Grooveman.


« Older posts Newer posts »