REVIEWS FROM MY VINYL COLLECTION

Tag: vinyl records (Page 396 of 491)

PIPEDREAM – s/t

A typical one-album-and-goodbye band. Formed in ’79, released in ’79 and disbanded in ’79. That’s what you call a short career. The truth is a little more simple. They were put together by Tim Bogert (from Beck, Bogert & Appice, and Cactus) as a vehicle to release more melodic songs. The only other member I know anything of is drummer Jan Ulvena, who was in early Alcatrazz lineups.

The label went to town on the band as there are huge numbers with orchestral backing, so someone saw potential in the band. Unfortunately, there are no songs with any commercial crossover appeal. That doesn’t mean this album is bad, because it’s not, it’s a very good album but it’s just difficult to pigeonhole. The style ranges from rock to funk and all points in-between. I just think if they had concentrated on a more dialed in approach, and narrowed down the scope somewhat, they may have been around for another record. Tracks like Heather and Feel Free are really great songs, and fans of Tim’s other projects will find something to enjoy here.

7/10 from The Grooveman.

PRIMAL FEAR – 16.6 (Before The Devil Knows You’re Dead)

Now for me, the whole Euro Metal scene has become very stagnant. Every band sounds the same, and it’s hard to tell the bands apart, but these guys are a step above. Early on in Primal Fear’s career, they were labelled as the German Judas Priest, which is quite ironic, as Ralf Scheepers auditioned for the singer in Judas Priest when Halford split with the band. Scheepers was in Gamma Ray, and he teamed up with Matt Sinner (from the band Sinner), to form Primal Fear.

This is the band’s eighth studio album, and produced by the band and Matt Sinner. In fact, the production on this album is the best I have heard them sound. Six Times Dead sounds absolutely huge. The guitar sound is vast and deep, and the vocal is epic. There are so many good moments on this album, so I will just highlight a few. 5.0/Torn has a killer riff and groove, and Scheepers’ vocals just flow over the track. The very heavy sounding, Soar, is killer with the electronic start. Night After Night is more JP than JP themselves, and I still find it incredible that Priest never hired Ralph. The Exorcist is pure pounding metal and has a huge guitar sound. Even the bonus track, Scream, is a killer tune.

Primal Fear don’t make bad records and this is no exception.

9/10 from The Grooveman.

RADIOHEAD – Ok Computer OKNOTOK 1997-2017

As of now, this album is coming up to its 25th anniversary. This version is the all singing, all dancing version from 2017. This was the band’s third full length album, and is now considered one of the best albums in popular music. Even though the guitar is obvious throughout this record, this was a departure from the previous album (The Bends), which was totally guitar centric. The main theme that flows through the record is dealing with alienation brought on by consumerism.

There were four singles released from the album: the brilliant Paranoid Android, Karma Police, Lucky and No Surprises. I have this on CD also and I find it a hard listen, but the record is a lot better – I find 20 minute chunks a lot easier to absorb. This album has more in common with Prog than Pop, as the arrangements lean more in that direction, and old Pink Floyd comes to mind on a lot of the tracks. Tom Yorke’s vocals and delivery are the driving force of the band, and again, the music is quite basic – it’s how it’s layered together that makes it unique. The production and mix on this version is incredible, and if I were to recommend any version – it would be this. As I have already mentioned, it’s a tough album to get through in one sitting, but if you manage it it’s very rewarding.

9/10 from The Grooveman.

LYNCH PILSON – Wicked Underground

Fun fact (and controversial comment): Don Dokken wasn’t the best singer in Dokken, Jeff Pilson was.

People have called this project Dokken without Don, and that is very unfair, as the music is a lot harder and stranger than Dokken ever did. George has been super active of late, and has released a ton of projects – some of them great, others not so. This is definitely one of the awesome ones. I am a huge fan of George’s playing, and I think Jeff is a great singer and bass player – so it’s a winner all the way for me.

Opening track, Breath And Scream, is a monster of a tune and is really heavy in places but never loses the melody. Beast In The Bo is a freakin’ amazing tune, complete with a killer riff and a stunning melody and chorus. Add some blinding licks from George, and we have a winner. When You Bleed closes out Side 1 and it’s fat riff D-tune city with a superb solo that only George could play.

Side 2 opener, Vaccine, is one of the best melodic tracks I have heard in a very long time. This song has all the ingredients in all of the right places. Monster riff and groove, a superb melody and chorus, and a great breakdown. If this was 1985, this would top the charts for sure. The acoustic vibes of Ever Higher are next up, and Jeff’s voice was made for tunes like this. He has such a great voice and the song really takes off around the middle. Zero The End is the first song I would say resembles Dokken, especially the opening main riff. Again, the melody and hook are fantastic.

Side 3 kicks off with The Evil That You Are, and the quality of the tunes just keeps going. Again, the main riff and groove are superb, plus the melody and hook are top drawer. You’d think that this was their first album they had ever recorded. Definitely not short of tunes here – awesome stuff! Awaken is the slow chill track of the album. It has some cool atmospheric effects from George, and has the big rock fade out. Cromanic is next up and it’s an instrumental – it’s all about George. Very heavy D-tuned riffage with George employing all the toys from his toolbox. Goodbye Utopia is the last track on Side 3 and the riff is so freakin’ cool. The songs are so strong throughout this album that tucked away at the end of Side 3 is something this good.

Side 4 here we come with Inner View. It is an acoustic based track and lower on the intensity, but there is a lot going on musically within the song. Closer To None is the penultimate track and starts with an almost 60’s hippy vibe, until the power is turned on and the riffs are applied. Top Of The World is the last track on the record, and is also a bonus track for the vinyl.

This is one of the best rock albums I have heard in a while, and I have to say it – Dokken doesn’t even come close to this.

10/10 from The Grooveman.

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