THE GROOVEMAN'S COLLECTION

REVIEWS FROM MY VINYL COLLECTION

Tag: vinyl records (Page 393 of 491)

VAN HALEN – 1984

August 25, 2021 /

So here it is campers, review number 400 is on us and doesn’t time fly when you’re having fun?! I guess you know where this is going before we start, as I have mentioned previously that the first 6 VH albums are all “knock it out of the park 10/10” records – and this one could be the king of them all.

Starting off with the very un-Van Halen keyboard intro of 1984, the album then kicks into the band’s biggest and most well known song, Jump. Just over four minutes of pop perfection. Then BOOM…straight in the brilliance of Panama. A riff to kill for superb chorus and hook, and who says Dave can’t sing?! To show that VH always take chances, Top Jimmy is next up and there is a hint of Jazz in the mix, as well as a short sharp burst of a killer solo. Side 1 closes out with one of VH’s best deep cuts with Drop Dead Legs. A superb riff and a dirty sleazy vocal from Dave – plus great melodies and bv’s from Eddie and Mike, and we get a great ending which I think is superb.

Over to what could be the best Side 2 of any VH record, and Hot For Teacher assaults your aural openings with Alex pounding the hell out of his kit, leading into a fast shuffle with one hell of guitar intro. The riff alone is to die for and the video was hilarious. Dear Van Hagar fans, name me one song that comes close? I thought not! As close as VH get to ballad city is next with I’ll Wait. A mainly synth driven song, and is followed by a killer one two ending of Girl Gone Bad, and House Of Pain. These two tracks are old (or parts of them are old), and they go way back to the backyard party days. The intro to Girls Gone Bad is epic, and the build up to the main song is awesome – the solo should melt your face off. Who would have thought that House Of Pain would have been Dave’s last contribution to the band for some time – well at least he went out with a bang. What a killer way to end a record. Everything about this song is amazing – and I mean everything!

So that’s it – the last great VH album. No Hagar-era album comes close, and we won’t mention VH3 as it’s a bit weird. There are moments on a Different Kind Of Truth that are great, but essentially 1984 was the peak.

I’m sure it’s no surprise that it’s another 10,000/10 from The Grooveman.

KISS – Animalize

August 24, 2021 /

I’ll admit to not being the biggest Kiss fan in the world. I always thought the make up and fireworks just took away from the fact that they wrote very average songs, and it was the image that drove them along. I was told that Creatures Of The Night was to be the first album without make up, but with the title and the image, it was to be put back for one album. The arrival of Vinnie Vincent sure gave them a kick up the ass, but when his weirdness was even too much for Gene and Paul, in came Mark St. John for the recording of this album.

This, and Lick It Up, are my favourite Kiss albums. I think they have the best songs and the best playing. It’s no coincidence that the band brought in outside writers at this point, as they knew they needed that extra shove without the costumes. The big single from the album is Heavens On Fire, and Gene is still as classy as ever with his contribution of Burn Bitch Burn with the immortal line of “Ooh baby I want to put my log in your fireplace”.

Musically, it’s a cut above usual Kiss fodder, and Under The Gun is my go to track. Just to emphasize that it’s all about the cash with these guys, I don’t think they have recorded any new material since 2012 and they are still doing the forever farewell tour.

8/10 from The Grooveman.

JUDAS PRIEST – Screaming For Vengeance

August 24, 2021 /

Right from the majestic instrumental opening of The Hellion, this album means business. There is not one bad groove on this whole album, that is unless you listen to nothing but jazz, then I’m afraid you’re beyond saving (if you know, you know).

The Priest were on a roll when it came to the recording of this, their 8th studio album, and it turned out to be the pinnacle of their career. This is my Mobile Fidelity version, and it sounds amazing. I mean, it sounded great anyway, but this version is the cherry on the top. The big single was You Got Another Thing Coming, which (with the help of MTV) cracked the band in the US and they became mega huge.

Every song is killer with the riff-o-meter being off the scale for most of the album. My personal favourites are: Bloodstone with its monster riff and groove, Screaming For Vengeance is Priest at their very best, and the close out track Devils Child, which I’ve always had a soft spot for. There is nothing complicated here, it’s all quite simple – and that’s the beauty of it. Catchy riffs, big hooks, and sing-a-long chorus – I’ve said that enough times it should be my mantra. Sometimes the simple things are the best, and this album is testimony to that.

Defenders was an attempt to replicate this album but it fell short, and then it was a steady decline until now, where they have recaptured some of their past glories.

10/10 from The Grooveman.

BLUE OYSTER CULT – Secret Treaties

August 23, 2021 /

There are two Blue Oyster Cult’s: before, and after Reaper. Basically, up to and including Agents of Fortune, and everything after that. They have been going in various forms since ’67, when the were called Soft White Underbelly. This is the bands third album released in ’74, and if you have heard the live album On Your Feet Or On Your Knees, 6 of the 8 tracks here are performed and they come over a lot heavier. The were sort of punk in attitude (before punk was a thing), and they were a cross between MC5 and the New York Dolls – which I sort of get.

Dominance And Submission still sounds great today, with that riff, beat, and lyrics – it’s one of my all time favourite BOC tracks. The raw rock and roll of ME 262 – complete with doo wops – and the brilliance of Harvester Of Eyes with that jagged riff, make this one of my most loved BOC records. Plus, you get the killer Astronomy as the close out track.

I got to see them a couple of years back supporting Foghat, and they weren’t that great. They looked as though they wanted to be anywhere but there. At least we still have these great albums to listen to.

9/10 from The Grooveman.

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