REVIEWS FROM MY VINYL COLLECTION

Tag: vinyl records (Page 322 of 491)

SMITH/KOTZEN – s/t

On paper this is a bit of a weird combination, one of Iron Maiden’s guitarists and Richie Kotzen together in a project would seem a bit of a clash of styles. But Adrian’s two projects when he departed Maiden (ASAP and Psycho Motel) were more of a melodic nature so maybe not to far apart. I am a huge fan of Kotzen, both of his guitar playing and his amazing soulful voice. Besides the two main men we have Nicko McBrain contributing drums to one track, and Tal Bergman drums to four tracks. Kotzen plays drums on the rest of the tracks, and bass duties are shared between them both.

First track in is Taking My Chances and I would say this is a Richie track – this is something that’s not out of place on one of his solo albums. Running on the other hand definitely sounds like a collaboration as both vocal and guitar duties are shared. Scars is superb with a great slow funky blues where both are playing off of each other – the solos are killer. Some People is a slow groove tune that Kotzen can sing in his sleep, and it’s cool to hear Adrian sing in that style. The very southern vibe of Glory Road closes out Side 1, with Adrian taking the lead off vocal.

Solar Fire starts with a Cream style groove with a great funky swing. You Don’t Know Me is an ok song that is lifted by the solos. Back to the southern vibes with the intro to I Wanna Stay, and Adrian’s vocals here very soulful. Till Tomorrow closes out the album in fine style with a very soulful groove and some killer playing. I hope they keep this going as it’s a really great record.

9/10 from The Grooveman.

ELECTRIC LIGHT ORCHESTRA – Out Of The Blue

Sometimes everything just aligns perfectly for a magic musical moment, and for ELO, this was it. Yes, they had some hits before this, but this was pure gold for them and it sold by the squillion. Jeff Lynne was now the only songwriter by this point and it was basically a solo album for him. The album before this (A New World Record) had spawned 3 hit singles with Lovin’ Thing, Rockaria and Telephone Line – and you wondered how the hell would they top that? Well, this is the answer – the best album they ever did.

This is a superb pop rock record from the opening smash Turn To Stone, to the equally massive Wild West Hero and everything in between. It’s such an enjoyable record that it takes you back instantly to where you were at the time. The perfect pop/rock record? I think so!

10/10 from The Grooveman.

BPMD – American Made

Sometimes records are made just so the musicians can have fun, and this is just one of those records. A coming together of some American metal friends to pay homage to some old school rock songs – given the metal treatment. Mike Portnoy ex-Dream Theater and a million other projects, Blitz from Overkill, Phil Demmel of Machine Head, and Mark Menghi.

Ted Nugent’s Wang Dang Sweet Poontang is first up and it’s not a bad cover with a decent solo. Toys In The Attic sounds a lot heavier for sure and it’s a fairly copycat cover. Evil on the other hand does sound really good and has been beefed up a lot. It’s quite easy to beef up old ZZ Top songs as they are quite simple songs and sparse, so Beer Drinkers sounds great. It’s not until we get to Blue Oyster Cult’s Tattoo Vampire that we get a song that they have totally given the metal treatment to – it’s the best song on the album. The only song that sounds worse than the original is Van Halen’s D.O.A. It’s not a bad attempt, but the original is just so damn good.

Like I said, it’s a fun record but it’s not gonna change the world.

8/10 from The Grooveman.

BLACK COUNTRY COMMUNION – s/t

Kevin Shirley (who has steered Bonamassa’s career to make him the number 1 modern blues artist) thought it would be a good idea to do a side project with a full on blues rock band. Now, I’m assuming the brief was to come up with a Deep Purple/Zeppelin hybrid, as that’s the vibe that comes across for most of the album.

There are tracks that (melody wise) mirror what Glenn has been doing in his solo career, like the track One Last Soul which has quite a commercial sounding hook. There are also tracks like Song Of Yesterday which could have been lifted from any Bonamassa solo album. The majority of the emphasis though is on the big hard rock numbers like Black Country, Medusa, and the amazing Stand (At The Burning Tree), which is truly an epic song where Jo Bo really lets fly.

There is no better voice in rock than Glenn and he sounds incredible on this record. This is a superb album, and if you love old school big rock records, this is for you.

9.5/10 from The Grooveman.

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