REVIEWS FROM MY VINYL COLLECTION

Tag: vinyl records (Page 320 of 491)

MSG – Built To Destroy

Michael Schenker has more personnel changes than any other living musician. The list is endless. I won’t go into the reasons why, but Michael was not the easiest of people to work with. After ditching Gary Barden and bringing in Graham Bonnet for the excellent Assault Attack, and all that falling to pieces with great acrimony, Barden was asked to rejoin for this album – and would be his last for sometime.

The first thing you notice is how dominant the keyboards are on this album. The sound seems to have been watered down somewhat. Michael adds his usual touches here and there to lift what is quite a flat recording. Barden’s vocals aren’t the best and he seems to really strain on some of the tunes.

Side 1 passes by with not too much to shout about, and it’s not until we get to the lead off track, Red Sky, where things get a little better. Captain Nemo is the best track on the album and it’s an instrumental with a great melody and some great playing from Michael. When I hear him do things like this I wonder what would have been if he had gone down the Satriani route. The only vocal track I like is the last track, Still Love That Devil, which has a nice riff and groove.

I still find this quite a disappointing album and my opinion has not changed over time.

6.5/10 from The Grooveman.

UNEVEN STRUCTURE – La Partition

I’m a huge fan of their first album, Februus, as it was a djenty piece of awesomeness – then for some reason when recording this, their second album, they seemed to go all Spinal Tap doing the whole “we’re not a djenty band thing” seemingly disowning all the fans that loved them in the first place. So I was very interested to see what the follow up sounded like.

I needn’t of worried as this is epic in all the ways I had hoped for. This is Tech/Prog Metal at its finest. All the low end grooves you could want, mixed with killer beats and grooves with added ambient soundscapes to create the most incredible album. There are so many highlights for me it’s hard to pick a favourite, but Brazen Tongue is incredible, and the beautiful and brutal Funambule is amazing.

If you’re remotely interested in this style of metal then you should really check this out.

9.5/10 from The Grooveman.

TORA TORA – Surprise Attack

I used to see the CD version of this in bargain bins far and wide and stores couldn’t seem to give it away, but now this LP version goes for a fair bit for a minty copy.

This album appeared in ’89 just before the great grunge unpleasantness, so they had a fair crack before disappearing. It’s a typical glam/hair rock album of the late eighties and it’s quite a fun listen. Loves A Bitch is not a bad opener, but the second track, 28 Days, would have been a better choice as it has a great sleazy groove, along with Hard Times which is a sleazed up blues groove.

Walkin’ Shoes opens up Side 2 and has a very simple sleazy riff but it works really well. They are pretty good at writing the catchy chorus rock stompers like Riverside Drive, and the best track on the album She’s Good She’s Bad. The album closes out with Being There, which is the big production number of the album where singer Anthony Corder does his best Robert Plant impression – not a bad way to finish the album.

Does the album deserve its bargain bin status? No it doesn’t. If you’re into the whole eighties rock thing then you will love this.

8.5/10 from The Grooveman.

QUEEN – Live Killers

I think most people will agree that Queen were the biggest band on the planet at one point, and they also had (what I call) two careers. The Rock band Queen, and the Pop band Queen. This live album sees the end of the Rock and the beginning of the Pop.

I think Jazz was the album that they were promoting at the time, and three tracks are played from that album. But it’s the more rockin’ tracks that do it for me – they were really a killer live band. I caught them live a couple of times in the 70’s and they were incredible. Most of the hits up until this point are aired, but it’s not necessarily the hits that get your attention. For me it’s tracks like Death On Two Legs and Brighton Rock where Brian really shows what an incredible player he is, and the band are just smokin’. Of course, Freddie steals the show as he always did.

This album is a great record of what they were like in the 70’s.

9/10 from The Grooveman.

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